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The John Simon Guggenheim Memorial Foundation offers fellowships to exceptional individuals in pursuit of scholarship in any field of knowledge and creation in any art form, under the freest possible conditions. The program supports mid-career professionals (scholars, artists, and scientists) who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts.
John Simon Guggenhein Memorial Foundation is a private corporation based in NEW YORK, NY. The foundation received its IRS ruling in 1938. It holds total assets of $383.6M. Annual income is reported at $109.7M. Total assets have grown from $236.7M in 2011 to $383.6M in 2024. The foundation is governed by 24 officers and trustees. Tax records are available from 2015 to 2024. Funding is distributed across 4 states, including United States, Canada, Latin America. According to available records, John Simon Guggenhein Memorial Foundation has made 556 grants totaling $21M, with a median grant of $31K. Annual giving has grown from $9.5M in 2021 to $11.5M in 2022. Individual grants have ranged from $5K to $80K, with an average award of $38K. The foundation has supported 458 unique organizations. The foundation primarily supports organizations in New York, California, Illinois, which account for 49% of all grants. Grantmaking reaches organizations across 41 states. Contributions to this foundation are tax-deductible.
The John Simon Guggenheim Memorial Foundation is one of the most prestigious individual fellowship programs in the world and it operates fundamentally differently from most grant programs. There is no solicitation number, no RFP, no letter of inquiry. You either apply during the annual competition window (late summer for US/Canada) or you wait until next year.
The Foundation's core philosophy is investing in the person, not the project. Reviewers look at the entire career arc: what the applicant has accomplished, the intellectual or artistic significance of their trajectory, and whether a Fellowship at this moment would catalyze a meaningful leap forward. The word "potential" appears prominently in their own language about what they seek — they celebrate what a talented individual can accomplish when given the freedom to focus.
Alignment signals that matter most: a substantial track record of published or exhibited work (Guggenheim is explicitly for mid-career professionals, not emerging artists or early-stage researchers); a compelling next project that feels like a natural ambitious extension of an established body of work; and strong references from recognized leaders in the specific sub-field. Institutional affiliation is not required — independent scholars, writers, and artists are explicitly welcomed alongside academics.
The Foundation makes awards across four broad areas: Creative Arts, Humanities, Natural Sciences, and Social Sciences, covering 53 discrete fields. Knowing which field you will be filed under matters — competition density varies by field, and your statement should demonstrate mastery of that specific discipline's standards.
The Guggenheim Foundation awards approximately 175 to 190 Fellowships annually. The 2025 centennial competition awarded 198 Fellowships across 53 fields — the largest class in recent memory. Award sizes average between $40,000 and $55,000, with a range of roughly $15,000 to $65,000. The Foundation's IRS filings show a median award near $30,000, with the average pulled up by larger fellowships for high-cost projects (international fieldwork, studio production, scientific equipment).
Grant terms run 6 months to 1 year. There is no requirement to be on sabbatical. Funds can be used for any project-related purpose: living expenses, materials, travel, equipment. This flexibility is a key differentiator from federally funded fellowships, which typically have narrower allowable costs.
The application window is narrow. For US/Canada applicants, the competition opens in late summer (typically August/September) and closes in mid-September. The Foundation has confirmed the 2026 competition will open in late summer 2026. Awards are announced each spring (typically April) for the prior fall's competition.
One Fellowship per applicant per lifetime — previous Fellows are not eligible to reapply. Geographic distribution skews toward New York, California, and Massachusetts, reflecting concentrations of leading universities and arts institutions, but significant awards go to fellows across all regions and to independent scholars nationwide.
The Guggenheim Fellowship occupies a unique position in the individual fellowship landscape. It is most usefully compared to a small set of prestigious unrestricted individual awards rather than to foundation grant programs:
| Fellowship | Avg Award | Awards/Year | Eligibility | Subject Areas |
|---|---|---|---|---|
| Guggenheim Fellowship | $40,000-$55,000 | ~185 | Mid-career US/CA citizens or residents | All creative arts, humanities, natural and social sciences |
| MacArthur Fellowship | $800,000 over 5 yrs | ~25 | US citizens by nomination only | All fields |
| NEA Literature Fellowships | $25,000 | ~37 | US citizens or residents | Creative writing only |
| Mellon/ACLS Early-Career Fellowships | $65,000 | ~65 | Early-career humanities scholars | Humanities and social sciences |
| Radcliffe Institute Fellowships | $75,000 | ~50 | All career stages | All fields |
| American Academy Berlin Prize | ~$5,000/month plus residency | ~15 | US scholars, writers, artists | Humanities and arts |
Key differentiators for Guggenheim: broadest disciplinary scope of any major individual fellowship (53 fields vs. 1 to 3 for most peers); mid-career focus distinct from MacArthur (nomination only) and ACLS (early career); no residency requirement; and a Latin America and Caribbean program running in parallel with its own separate applicant pool.
Among pure academic foundations, Guggenheim sits in a tier below MacArthur (unreachable without nomination) but above most programmatic grants. The prestige-to-award-size ratio is arguably the highest in academia: a Guggenheim line on a CV carries weight far exceeding the average $47,000 award amount.
2025 Centennial Class (announced April 2025): The Foundation awarded its 100th class of Fellows — 198 trailblazing artists and scholars across 53 fields, the largest single class in recent memory. President Edward Hirsch's centennial remarks emphasized commitment to sciences, social sciences, humanities, and arts — language that positioned Guggenheim as an anchor institution amid ongoing debates about federal arts and humanities funding.
Centennial Exhibition (August through November 2025): "The Guggenheim Fellowship at 100: A New Special Exhibit Celebrating a Century of Cultural Impact" was on view at The New-York Historical Society from August 29 through November 30, 2025.
2026 Competition: As of March 2026, the Foundation has confirmed the 2026 competition will open for applications in late summer 2026. Applicants should monitor gf.org for the exact opening date.
Leadership: President Edward Hirsch, himself a 1985 Guggenheim Fellow in poetry, has led the Foundation since 2002. The Foundation operates a lean staff model, reviewing 3,000 to 4,000 applications annually using a system of peer reviewers organized by field.
Financial trajectory: With approximately $383 million in assets and roughly $9 to $10 million distributed annually in fellowship awards, the Foundation is stable and well-capitalized. The centennial year saw an expansion to 198 fellows with no indication of future program reduction.
Apply at mid-career, not too early. The most common error is applying before a body of work is substantial. If you do not yet have a book, a significant solo exhibition, a major journal publication record, or equivalent career milestone, wait. Reviewers are explicitly looking for accomplished professionals.
The project statement is the most critical element. Your statement should clearly describe what you will create or research, why now (why this is the right moment in your career), and why this Fellowship specifically enables it. Vague statements about "exploring" a topic consistently underperform compared to specific concrete descriptions.
References require cultivation. The Foundation asks for two to three confidential references. Reviewers are faculty in your field who know the people writing letters. References from former Guggenheim Fellows, National Academy members, or other recognized leaders in your specific sub-field carry significantly more weight than letters from institutional supervisors.
Match your field designation carefully. Your application is reviewed by a committee of specialists in the field you select (53 options). Choosing between, for example, History of Art vs. Fine Arts or Anthropology vs. Cultural Studies determines who reads your application. Choose the field where you have the clearest publication or exhibition record and strongest name recognition.
Previous rejection is recoverable. Applicants who were not selected may apply again in subsequent years. The competitive landscape changes as field committees rotate annually. Applicants who were declined one year and subsequently published a major work or received a significant prize have gone on to receive Fellowships.
Independent scholars are genuinely welcome. Applicants without university affiliation have won Guggenheim Fellowships throughout the Foundation's 100-year history. What matters is the quality and significance of work, not institutional employer.
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Annual fellowships awarded to approximately 175 mid-career individuals per year across 50+ fields in creative arts, natural sciences, social sciences, and humanities. Open to US and Canadian citizens and permanent residents. Awards are merit-based and project-based, with applicants selecting one or two relevant fields.
For fields outside Natural Sciences, finalists submit work examples as part of a multi-stage evaluation process. References are solicited directly from letter writers with confidentiality maintained.
Annual competition open to citizens and permanent residents of the United States and Canada who have already demonstrated exceptional ability in their field. Approximately 175-190 Fellowships are awarded each year across 53 fields. Fellowship term is 6 months to 1 year. Average grant is $40,000-$55,000. Applications open in late summer each year; 2026 competition opens summer 2026.
Parallel competition open to citizens of Latin American and Caribbean countries. Supports scholars, scientists, and artists in the same fields as the US/Canada competition.
The Guggenheim Foundation awards approximately 175 to 190 Fellowships annually. The 2025 centennial competition awarded 198 Fellowships across 53 fields — the largest class in recent memory. Award sizes average between $40,000 and $55,000, with a range of roughly $15,000 to $65,000. The Foundation's IRS filings show a median award near $30,000, with the average pulled up by larger fellowships for high-cost projects (international fieldwork, studio production, scientific equipment). Grant terms .
John Simon Guggenhein Memorial Foundation has distributed a total of $21M across 556 grants. The median grant size is $31K, with an average of $38K. Individual grants have ranged from $5K to $80K.
The John Simon Guggenheim Memorial Foundation is one of the most prestigious individual fellowship programs in the world and it operates fundamentally differently from most grant programs. There is no solicitation number, no RFP, no letter of inquiry. You either apply during the annual competition window (late summer for US/Canada) or you wait until next year. The Foundation's core philosophy is investing in the person, not the project. Reviewers look at the entire career arc: what the applican.
John Simon Guggenhein Memorial Foundation is headquartered in NEW YORK, NY. While based in NY, the foundation distributes grants to organizations across 41 states.
| Name | Title | Compensation | Benefits | Total |
|---|---|---|---|---|
| Edward Hirsch | PRESIDENT AND TRUSTEE | $680K | $46K | $725K |
| Andre Bernard | V.P. AND SECRETARY | $364K | $66K | $430K |
| Susan D Mellin | CHIEF ADVANCEMENT OFFICER | $254K | $22K | $276K |
| Sari Sharaby | C.F.O. AND TREASURER | $235K | $76K | $311K |
| Adele Chatfield-Taylor | TRUSTEE | $0 | $0 | N/A |
| Robert Allan Caro | TRUSTEE | $0 | $0 | N/A |
| Emery Brown | TRUSTEE | $0 | $0 | N/A |
| Lawrence D Bobo | TRUSTEE | $0 | $0 | N/A |
| Dwight E Lee | CHAIRMAN | $0 | $0 | N/A |
| Ellen Taaffe Zwilich | TRUSTEE | $0 | $0 | N/A |
| Sandra S Wijnberg | TRUSTEE | $0 | $0 | N/A |
| Benjamin Taylor | TRUSTEE | $0 | $0 | N/A |
| G Gabrielle Starr | TRUSTEE | $0 | $0 | N/A |
| Barbara Siskin | TRUSTEE | $0 | $0 | N/A |
| Cindy Sherman | TRUSTEE | $0 | $0 | N/A |
| Eric Schwartz | TRUSTEE | $0 | $0 | N/A |
| Stacy Schiff | TRUSTEE | $0 | $0 | N/A |
| Eric S Maskin | TRUSTEE | $0 | $0 | N/A |
| Lili Lynton | TRUSTEE | $0 | $0 | N/A |
| William P Kelly | TRUSTEE | $0 | $0 | N/A |
| Steven D Lavine | TRUSTEE | $0 | $0 | N/A |
| Lisa Hess | TRUSTEE | $0 | $0 | N/A |
| Risa L Goluboff | TRUSTEE | $0 | $0 | N/A |
| Dorothy Tapper Goldman | TRUSTEE | $0 | $0 | N/A |
Total Giving
N/A
Total Assets
$383.6M
Fair Market Value
N/A
Net Worth
$364.1M
Grants Paid
N/A
Contributions
N/A
Net Investment Income
N/A
Distribution Amount
N/A
Total Grants
556
Total Giving
$21M
Average Grant
$38K
Median Grant
$31K
Unique Recipients
458
Most Common Grant
$25K
of 2022 grantees were first-time recipients
| Recipient | Location | Amount | Year |
|---|---|---|---|
| Beth BFILM-VIDEO | Savannah, GA | $80K | 2022 |
| Anna CraycroftFINE ARTS | Brooklyn, NY | $80K | 2022 |
| Michael Gene SullivanDRAMA & PERFORMANCE ART | San Francisco, CA | $80K | 2022 |
| Rafael RosaMUSIC COMPOSITION | Brooklyn, NY | $80K | 2022 |
| Moko FukuyamaFILM-VIDEO | Brooklyn, NY | $80K | 2022 |
| Rebecca MakkaiFICTION | Evanston, IL | $80K | 2022 |
| Jen SilvermanDRAMA & PERFORMANCE ART | New York, NY | $80K | 2022 |
| Josephine MeckseperFINE ARTS | New York, NY | $80K | 2022 |
| Tyrone Ta-Coumba AikenFINE ARTS | Saint Paul, MN | $80K | 2022 |
| Guthrie P RamseySOUND PROOF: BLACK MUSICS AMERICAN JOURNEY | Philadelphia, PA | $80K | 2022 |
| Heather ClarkHER KIND: THE BOSTON YEARS OF SYLVIA PLATH, ANNE SEXTON, ADRIENNE RICH AND MAXINE KUMIN | Mount Kisco, NY | $75K | 2022 |
| Phyllis ChenMUSIC COMPOSITION | New Paltz, NY | $75K | 2022 |
| Jerald WalkerGENERAL NONFICTION | Hingham, MA | $75K | 2022 |
| Hernan DiazFICTION | Brooklyn, NY | $75K | 2022 |
| Jay HoplerPOETRY | Somerset, NJ | $75K | 2022 |
| Thomas Chatterton WilliamsGENERAL NONFICTION | Paris | $70K | 2022 |
| Benedicte BoisseronBLACK FREEGAN | Ann Arbor, MI | $70K | 2022 |
| Daniel HackNOVEL MEANINGS: FICTION AND THE RISE OF MEANINGFULNESS | Ann Arbor, MI | $70K | 2022 |
| Yoav Di-CapuaTHE FIRST ARABS: AN INTIMATE HISTORY OF THEIR STRUGGLE FOR DIGNITY AND THE AFTERMATH OF DEFEAT | Austin, TX | $70K | 2022 |
| Vera GribanovaELLIPSIS AND THE IDENTITY RELATION | Stanford, CA | $70K | 2022 |
| Geoff MannUNPRECEDENTED: THE END OF EQUILIBRIUM | Vancouver | $70K | 2022 |
| Prashant K JainENERGY FROM LIGHT STORED, SHUTTLED, AND USED ON DEMAND | Urbana, IL | $70K | 2022 |
| Giorgio BertelliniTHE POVERTY OF OTHERS: NEW DEAL PHOTOJOURNALISM TO ITALIAN NEOREALISM (AND BACK) | Ann Arbor, MI | $70K | 2022 |
| Jonathan Bailey HollandMUSIC COMPOSITION | Arlington, MA | $70K | 2022 |
| Daniel A BarberTHERMAL PRACTICE | Philadelphia, PA | $70K | 2022 |
| Robert F BarskyNEGOTIATING INTERNATIONAL REFUGEE LAW IN THE HEIGHT OF THE CIVIL RIGHTS MOVEMENT | Atlanta, GA | $70K | 2022 |
| Karen BakkerA DIGITAL GREEN NEW DEAL | Vancouver | $65K | 2022 |
| Marco AmabiliA REVOLUTION IN VASCULAR PROSTHESES: THE ACTIVE GRAFT | Montreal | $65K | 2022 |
| John WallingfordFAIRY TALES AND FOLIC ACID: HOW UNDERSTANDING EMBRYOS WILL HELP US TREAT AND PREVENT LETHAL BIRTH DEFECTS AND DE-PATHOLOGIZE EXTRAORDINARY BODIES | Austin, TX | $65K | 2022 |
| Edward L WidmerGENERAL NONFICTION | Providence, RI | $65K | 2022 |
| Yanqin WuSEGMENTED DISKS | Toronto | $65K | 2022 |
| Milan SvolikDOWNSIZING DEMOCRACY: WHY ORDINARY PEOPLE ACQUIESCE TO AUTHORITARIANISM | New Haven, CT | $65K | 2022 |
| Anne StoneEVOLUTIONARY HISTORY OF AN ANCIENT PANDEMIC | Tempe, AZ | $65K | 2022 |
| Xin ZhangMETAMATERIAL-ENABLED ADVANCES IN MEDICAL IMAGING TECHNOLOGIES | Medford, MA | $65K | 2022 |
| Osagie K ObasogieMEDICAL PROFESSIONALS, EXCITED DELIRIUM, AND POLICE USE OF FORCE | Berkeley, CA | $65K | 2022 |
| So HirataQUANTUM MANY-BODY THEORY | Urbana, IL | $65K | 2022 |
| Shrikanth NarayananTOWARD INCLUSIVE AND TRUSTWORTHY SPEECH-CENTRIC MACHINE INTELLIGENCE | Santa Monica, CA | $65K | 2022 |
| Lek-Heng LimALGEBRAIC INVESTIGATIONS OF NEURAL NETWORKS | Chicago, IL | $65K | 2022 |
| Jodi HalpernREMAKING THE SELF IN THE WAKE OF ILLNESS | Berkeley, CA | $65K | 2022 |
| Shana KelleySELF-DRIVING HEALTH AND DISEASE WITH BIOMOLECULAR SENSORS | Evanston, IL | $65K | 2022 |
| Yong Baek KimQUANTUM ENTANGLEMENT AND DYNAMICS IN QUANTUM MATTER | Toronto | $65K | 2022 |
| Faren HumesFILM-VIDEO | Miami, FL | $62K | 2022 |
| Brandon BallengeeFINE ARTS | Arnaudville, LA | $62K | 2022 |
| Jono RotmanPHOTOGRAPHY | San Francisco, CA | $62K | 2022 |
| Igor SantosMUSIC COMPOSITION | Evanston, IL | $62K | 2022 |
| Rez AbbasiMUSIC COMPOSITION | New York, NY | $62K | 2022 |
| Mike LewDRAMA & PERFORMANCE ART | Brooklyn, NY | $62K | 2022 |
| Sky MacklayMUSIC COMPOSITION | Baltimore, MD | $62K | 2022 |
| Sarah Cameron SundeDRAMA & PERFORMANCE ART | New York, NY | $62K | 2022 |
| Ashkan BehzadiMUSIC COMPOSITION | Toronto | $60K | 2022 |