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The Hosting Grant supports US-based curators and artistic directors in presenting contemporary visual art exhibitions or projects that originated elsewhere. The program encourages host institutions to adapt these pre-existing projects meaningfully for their own local contexts through new public programming, collaborations, or modified interpretive materials. The foundation aims to foster resource-sharing, sustainability, and curatorial collaboration. Successful applicants may also indicate interest in the 'Climate Action for Curators' program for additional coaching and funding to embed climate consciousness into their projects.
Teiger Foundation is a private corporation based in NEW YORK, NY. The foundation received its IRS ruling in 2009. The principal officer is Stuart Sabal Sabal & Associates. It holds total assets of $151.1M. Annual income is reported at $8.5M. Total assets have grown from $1K in 2010 to $139.5M in 2023. The foundation is governed by 7 officers and trustees. Tax records are available from 2016 to 2023. The foundation primarily funds organizations in New York, California and Illinois. According to available records, Teiger Foundation has made 143 grants totaling $27.1M, with a median grant of $50K. Annual giving has decreased from $19.5M in 2022 to $7.6M in 2023. Individual grants have ranged from $500 to $3.8M, with an average award of $189K. The foundation has supported 96 unique organizations. The foundation primarily supports organizations in New York, California, Illinois, which account for 64% of all grants. Grantmaking reaches organizations across 22 states. Contributions to this foundation are tax-deductible.
The Teiger Foundation is the only U.S. foundation exclusively dedicated to supporting contemporary art curators. Founded in 2008 by New York-based collector and management consultant David Teiger, the foundation's guiding philosophy centers on backing ambitious curatorial projects deemed challenging, controversial, or "unfundable" — work that struggles to secure support through conventional channels. Following David Teiger's death in 2014, his bequest of a major contemporary art collection (works by John Currin, Lisa Yuskavage, Laura Owens, Elizabeth Peyton, Katharina Fritsch, and Mark Grotjahn) provided the capital base that grew the foundation's assets to $162.5M by FY2020, stabilizing near $139.5M today.
The transformation to an open grantmaker began in 2020 when Larissa Harris joined as the foundation's inaugural executive director (current annual compensation $244,271). Under her leadership, Teiger launched its first public call for proposals and formalized four grant tracks. The critical organizing principle: the foundation funds curators, not institutions. A curator's intellectual identity and voice must anchor every proposal; institutional prestige is secondary. This philosophy is borne out by the grantee record — the foundation has supported the Wexner Center and Carnegie Museums alongside small organizations like Sixty Inches from Center ($50,500), The Lab ($200,000), and 80WSE Gallery ($150,500).
Eligible applicants must be 501(c)(3) entities in the United States or U.S. territories. The foundation does not fund individual artists, academic programs, endowments, capital campaigns, or work outside contemporary visual art. Four grant tracks cover the full project lifecycle: Research & Development (up to $50,000, for earliest-stage exploration), Hosting (up to $75,000, for institutions presenting touring exhibitions, quarterly review cycle), Single Project (up to $150,000, for discrete curator-led exhibitions or initiatives), and Three Years of Programming (up to $150,000, for organizations with annual budgets under $3.5M).
First-time applicants should note that the review process is a genuine open competition — no prior relationship with program staff is required or advantageous. The foundation's board includes curators Gary Garrels, Yasmil Raymond, and Zoe Whitley, whose deep field expertise informs grant evaluation. The biennial cycle (next open call: fall 2026, deadline early 2027) creates a longer runway between major application windows, making the quarterly Hosting track a valuable entry point for new institutional relationships. The optional Climate Action for Curators program, available to all applicants as an opt-in, signals values alignment with the board and opens access to additional sustainability resources.
The Teiger Foundation's giving history unfolds in three distinct phases. In its early years (FY2012-FY2015), the foundation disbursed modest amounts — $25,000 to $400,000 annually — through informal channels. Following David Teiger's 2014 bequest, assets reached $142.6M in FY2018 (on $173.3M in contributions received that year). Annual giving then rose steadily: $6.1M in FY2019, $5.3M in FY2020, $11.3M in FY2021, $9.4M in FY2022, and $7M distributed in the 2025 cycle. The FY2021 peak reflects post-pandemic recovery support, including the $1.7M Los Angeles Visual Arts (LAVA) Coalition grant to Fulcrum Arts.
The grantee database records 143 grants totaling $27.1M, with an average of $189,347. However, this average is significantly skewed by two non-cash artwork donations: $7.95M to the Metropolitan Museum of Art (artworks by Currin, Fritsch, Grotjahn, Owens, Peyton, and Yuskavage donated from the estate) and $7.5M to MoMA (Owens and Peyton). Excluding these estate transfers, the cash grant landscape is more representative: the largest single cash grants include $1.7M to Fulcrum Arts (multi-year LAVA pandemic recovery), $1.15M to Swiss Institute (NYC consortium support and exhibition production), $500,000 to Laxart, and $500,000 to MCA Chicago. Multi-year commitments to Art Into Acres ($450,000 across 6 grants) and Working Artists and the Greater Economy ($300,000 across 2 grants) demonstrate investment in sector infrastructure.
Within the current programmatic framework, individual cash grants run $50,000-$150,000. The 2025 cycle distributed $7M across 85 curators, averaging $82,353 per grant — consistent with the program's mid-range. Geography skews toward established art hubs: New York accounts for 58 of 143 recorded grants, California 28, with Illinois (6), Pennsylvania (4), Ohio (3), Missouri (3), Massachusetts (3), Texas (3), and Puerto Rico (3) rounding out the distribution. The Three Years of Programming track carries hard parameters: organizations must have annual operating expenses of at least $170,000, and any Teiger grant can cover no more than 15% of annual operating budget — effectively targeting organizations with budgets between $333,333 (at $50,000) and $3.5M.
The five foundations in Teiger's asset-comparable peer set (all holding $150-152M in assets) share a similar endowment scale but differ sharply in focus, geography, and accessibility.
| Foundation | Assets | Annual Giving | Primary Focus | Application |
|---|---|---|---|---|
| Teiger Foundation | $139.5M | $7M (2025) | Contemporary art curators, US/territories | Open call, biennial + quarterly |
| Roy & Patricia Disney Family Foundation | $151.4M | Not disclosed | Arts, conservation, environment | Invitation only |
| Robert & Ruth Halperin Foundation | $151.4M | Not disclosed | Education, Jewish community, arts | By invitation |
| Pyramid Peak Foundation | $150.9M | Not disclosed | Arts, community development (TN) | By invitation |
| The Hickey Family Foundation | $150.7M | Not disclosed | Human services, education, arts (AZ) | By invitation |
Teiger stands apart from all four asset peers in two critical respects. First, it is the only one operating a fully public, transparent open call for proposals — the Disney, Halperin, Pyramid Peak, and Hickey foundations are largely private and relationship-driven. Second, Teiger's singular focus on contemporary art curatorship is unique in the peer set; the others fund across broader portfolios where arts is one priority among several. For organizations working in contemporary visual art, Teiger is not only the most strategically aligned foundation in this asset tier — it is the most accessible, with a published application process, documented eligibility criteria, and open submission windows that require no prior funder relationship.
On August 27, 2025, the Teiger Foundation announced its largest grant cycle in its history, awarding $7 million to 85 curators at institutions across the United States and Puerto Rico. This nearly doubled the $3.9 million distributed in the prior annual cycle and marked the formal launch of the biennial calendar. Executive Director Larissa Harris framed the shift as enabling deeper programmatic investment, with the larger total amount reflecting two years of grant accumulation rather than a change in per-grant size.
In a separate major commitment, the foundation announced a $750,000 gift to support the 2026 Venice Biennale ('In Minor Keys'), structured as $500,000 for exhibition production and $250,000 to support artists creating and traveling to present new work in Venice. This is the foundation's most significant international commitment to date.
In December 2025, Cornell University's College of Architecture, Art, and Planning confirmed a $500,000 Teiger Foundation gift to continue the Teiger Mentor in the Arts program, a five-year commitment bringing a prominent artist to the Department of Art each semester. Mary Mattingly was named Spring 2026 Teiger Mentor in the Arts.
The board continues to include prominent curators and art world figures: Gary Garrels (longtime SFMOMA and MoMA curator), Yasmil Raymond (curator), Zoe Whitley (director and curator), Kati Lovaas (director), Joel Wachs (former LA City Councilmember, Treasurer & Secretary), and John Silberman (President). No leadership changes were identified in the 2025-2026 research period.
The next open application window for Hosting grants opened March 16, 2026 with a June 10, 2026 deadline. The major biennial categories open in fall 2026.
Prioritize curatorial voice over institutional narrative. The single most important thing to understand about Teiger applications is that the foundation funds curators — not institutions. Every section of the application should foreground the curator's intellectual trajectory, past practice, and the specific argument animating the proposed project. Avoid institutional boilerplate. The curator's reflection, submitted in the curator's own words with up to five annotated links (100 words each), is the heart of the application.
Match your track to your project's development stage. Teiger offers four distinct tracks, and applying to the wrong one weakens your proposal. Research & Development (up to $50,000) is explicitly for projects at their earliest stages — use this if your concept lacks a confirmed venue, artist, or budget. Single Project (up to $150,000) requires a fully developed proposal; the foundation warns that vague or underdeveloped applications will not succeed. Three Years of Programming (up to $150,000) suits organizations building sustained exhibition infrastructure. Hosting (up to $75,000) targets institutions presenting touring exhibitions.
Specificity wins Single Project grants. The review panel looks for a clearly defined curatorial vision, well-argued artist selection rationale, and a demonstrated understanding of why this exhibition must happen at your institution. Describe the project as if it will be executed next month — confirmed artists, venue, timeline, and budget.
Prepare 10 captioned project images with discipline. Each of the ten required project images needs a 100-word caption conveying curatorial logic, not just visual description. These captions should explain why each image is relevant to the curatorial argument — they function as mini-essays, not wall text.
Use the Hosting track as a strategic entry point. For organizations new to Teiger, the quarterly Hosting cycle (next deadline June 10, 2026; portal opens March 16, 2026) provides a lower-stakes opportunity to establish a track record with the foundation before the biennial cycle opens in fall 2026. Grants top out at $75,000, and the curator's reflection should focus on past hosting work rather than future projects.
Opt into Climate Action for Curators. This voluntary checkbox during the application connects your organization to the foundation's environmental justice programming and signals alignment with the board's values — a meaningful differentiator for otherwise-comparable proposals.
Verify Three Years eligibility precisely. Your organization's annual operating expenses must be at least $170,000, and the Teiger grant cannot exceed 15% of your annual operating budget. Download the sample budget templates from teigerfoundation.org/how-to-apply before drafting your project budget.
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Smallest Grant
$250K
Median Grant
$263K
Average Grant
$954K
Largest Grant
$2.5M
Based on 6 grants from the most recent 990-PF filing.
No program descriptions are available for this foundation. Many private foundations report program activities in their annual 990-PF filings — check the Tax Filings section below for the most recent filing.
The Teiger Foundation's giving history unfolds in three distinct phases. In its early years (FY2012-FY2015), the foundation disbursed modest amounts — $25,000 to $400,000 annually — through informal channels. Following David Teiger's 2014 bequest, assets reached $142.6M in FY2018 (on $173.3M in contributions received that year). Annual giving then rose steadily: $6.1M in FY2019, $5.3M in FY2020, $11.3M in FY2021, $9.4M in FY2022, and $7M distributed in the 2025 cycle. The FY2021 peak reflects po.
Teiger Foundation has distributed a total of $27.1M across 143 grants. The median grant size is $50K, with an average of $189K. Individual grants have ranged from $500 to $3.8M.
The Teiger Foundation is the only U.S. foundation exclusively dedicated to supporting contemporary art curators. Founded in 2008 by New York-based collector and management consultant David Teiger, the foundation's guiding philosophy centers on backing ambitious curatorial projects deemed challenging, controversial, or "unfundable" — work that struggles to secure support through conventional channels. Following David Teiger's death in 2014, his bequest of a major contemporary art collection (work.
Teiger Foundation is headquartered in NEW YORK, NY. While based in NY, the foundation distributes grants to organizations across 22 states.
| Name | Title | Compensation | Benefits | Total |
|---|---|---|---|---|
| Larissa R Harris | EXECUTIVE DIRECTOR | $244K | $50K | $294K |
| Yasmil Raymond | DIRECTOR | $0 | $0 | N/A |
| Kati Lovaas | DIRECTOR | $0 | $0 | N/A |
| Gary Garrels | DIRECTOR | $0 | $0 | N/A |
| Joel Wachs | TREASURER & SECRETARY | $0 | $0 | N/A |
| John Silberman See Stmt 14 | PRESIDENT | $0 | $0 | N/A |
| Zoe Whitley | DIRECTOR | $0 | $0 | N/A |
Total Giving
$9.4M
Total Assets
$139.5M
Fair Market Value
N/A
Net Worth
$139.5M
Grants Paid
N/A
Contributions
N/A
Net Investment Income
$310K
Distribution Amount
$6.3M
Total Grants
143
Total Giving
$27.1M
Average Grant
$189K
Median Grant
$50K
Unique Recipients
96
Most Common Grant
$50K
of 2023 grantees were first-time recipients
| Recipient | Location | Amount | Year |
|---|---|---|---|
| The Metropolitan Museum Of Art8 ARTWORKS DONATED (ARTISTS: KATHARINA FRITSCH, MARK GROTJAHN, LAURA OWENS, ELIZABETH PEYTON, LISA YUSKAVAGE) | New York, NY | $3.6M | 2023 |
| Fulcrum ArtsUNRESTRICTED FUNDS TO SUPPORT THE MEMBER ORGANIZATIONS OF LOS ANGELES VISUAL ARTS COALITION (LAVA). | Pasadena, CA | $700K | 2023 |
| Art21 IncTO SUPPORT THE PRODUCTION OF DOCUMENTARY FILM SERIES ART IN THE TWENTY-FIRST CENTURY BY ART21, INC., CURATED BY TINA KUKIELSKI AND JURRELL LEWIS. | New York, NY | $150K | 2023 |
| The KitchenTO SUPPORT THE PRODUCTION AND PROGRAMS OF THE EXHIBITION CODE SWITCH: DISTRIBUTING BLACKNESS, REPROGRAMMING INTERNET ART AT THE KITCHEN, CURATED BY LEGACY RUSSELL. | New York, NY | $150K | 2023 |
| 80wse GalleryTO SUPPORT THE PRODUCTION AND PROGRAMS OF THE EXHIBITION EASTERN LEGACIES: THE ASIAN AMERICAN ART MOVEMENT ON THE EAST COAST (1968-PRESENT) AT 80WSE GALLERY, CURATED BY HOWIE CHEN, JAYNE COLE, AND CHRISTINA ONG. | New York, NY | $150K | 2023 |
| Swiss InstituteTO SUPPORT THE PRODUCTION AND PROGRAMS OF THE EXHIBITION SPORA AT THE SWISS INSTITUTE, CURATED BY STEFANIE HESSLER. | New York, NY | $150K | 2023 |
| Texas Southern University FoundationTO SUPPORT UNIVERSITY MUSEUM AT TEXAS SOUTHERN UNIVERSITY PROGRAMS AND PROJECTS IN 2023 AND 2024 | Houston, TX | $100K | 2023 |
| Art Into AcresART TO ACRES WILL ACT AS A FISCAL SPONSOR FOR ARTISTS COMMIT AND ART + CLIMATE ACTION AT $50,000 EACH, FOR A TOTAL OF $100,000. | Fairfax, CA | $100K | 2023 |
| University Of Michigan Museum Of ArtTO SUPPORT THE PRODUCTION AND PROGRAMS OF THE EXHIBITION YOURE WELCOME AT THE UNIVERSITY OF MICHIGAN MUSEUM OF ART, CURATED BY OZI UDUMA IN PARTNERSHIP WITH PAUL FARBER OF MONUMENT LAB. | Ann Arbor, MI | $75K | 2023 |
| Creative TimeTO SUPPORT THE PRODUCTION AND PROGRAMS OF THE EXHIBITION THE WORLD'S UNFAIR AT CREATIVE TIME, CURATED BY DIYA VIJ. | New York, NY | $75K | 2023 |
| The Contemporary AustinTO SUPPORT THE EXHIBITION CARL CHENG: NATURE NEVER LOSES AT THE CONTEMPORARY AUSTIN, CURATED BY ALEX KLEIN. | Austin, TX | $75K | 2023 |
| Carnegie MuseumsTO SUPPORT PRODUCTION AND PROGRAMS OF THE EXHIBITION A LASTING IMPACT AT THE CARNEGIE MUSEUM OF ART, CURATED BY DAN LEERS. | Pittsburgh, PA | $75K | 2023 |
| Contemporary Arts Center CincinnatiTO SUPPORT THE PRODUCTION AND PROGRAMS OF THE EXHIBITION THE HERESIES GENERATION: FEMINISM, ART, AND POLITICS, 1977-1992 AT THE CONTEMPORARY ARTS CENTER, CURATED BY AMARA ANTILLA. | Cincinnati, OH | $75K | 2023 |
| Boca Raton Museum Of ArtTO SUPPORT THE PRODUCTION AND PROGRAMS OF THE EXHIBITION SMOKE AND MIRRORS: MAGICAL THINKING IN CONTEMPORARY ART AT BOCA RATON MUSEUM OF ART, CURATED BY KATHLEEN GONCHAROV. | Boca Raton, FL | $75K | 2023 |
| Queens MuseumTO SUPPORT PRODUCTION AND PROGRAMS AT THE QUEENS MUSEUM OF THE EXHIBITION LYLE ASHTON HARRIS: OUR FIRST AND LAST LOVE AT THE QUEENS MUSEUM, CO-CURATED BY CAITLIN JULIA RUBIN, ASSOCIATE CURATOR, ROSE ART MUSEUM, AND LAUREN HAYNES, DIRECTOR OF CURATORIAL AFFAIRS AND PROGRAMS, QUEENS MUSEUM. | Queens, NY | $75K | 2023 |
| Empaccurtis R Priem Experimental MediaTO SUPPORT THE PRODUCTION AND PROGRAMS OF THE EXHIBITION SHIFTING CENTER AT THE CURTIS R. PRIEM EXPERIMENTAL MEDIA AND PERFORMING ARTS CENTER, CURATED BY VIC BROOKS AND NIDA GHOUSE. | Troy, NY | $75K | 2023 |
| Wexner Center FoundationTO SUPPORT PRODUCTION AND PROGRAMS OF THE SOLO EXHIBITION TANYA LUKIN LINKLATER AT THE WEXNER ART CENTER, CURATED BY KELLY KIVLAND. | Columbus, OH | $75K | 2023 |
| Dia Art FoundationTO SUPPORT THE PRODUCTION AND PROGRAMS OF THE SOLO EXHIBITION DELCY MORELOS AT DIA CHELSEA, CURATED BY ALEXIS LOWRY. | New York, NY | $75K | 2023 |
| Rivers InstituteTHREE-YEAR PROGRAM SUPPORT FOR RIVERS INSTITUTE FOR CONTEMPORARY ART & THOUGHT FOR CALENDAR YEARS 2023, 2024, AND 2025. FUNDS WILL BE DISBURSED IN EQUAL YEARLY INSTALLMENTS. | New Orleans, LA | $50K | 2023 |
| Museum Of Contemporary Art San DiegoTO SUPPORT THE MUSEUM OF CONTEMPORARY ART SAN DIEGOS COST OF MOUNTING THE EXHIBITION KELLY AKASHI: FORMATIONS, TRAVELING FROM THE SAN JOSE MUSEUM OF ART AND ORGANIZED FOR MCA SAN DIEGO BY JILL DAWSEY. | La Jolla, CA | $50K | 2023 |
| President And Fellows Of Harvard CollegeTHREE-YEAR PROGRAM SUPPORT FOR CARPENTER CENTER FOR THE VISUAL ARTS FOR CALENDAR YEARS 2023, 2024, AND 2025. FUNDS WILL BE DISBURSED IN EQUAL YEARLY INSTALLMENTS. | Cambridge, MA | $50K | 2023 |
| SpacesTHREE-YEAR PROGRAM SUPPORT FOR SPACES FOR CALENDAR YEARS 2023, 2024, AND 2025, WITH A FOCUS ON AN ONGOING PUBLIC PROJECT WITH ARTIST GROUP COOKING SECTIONS. FUNDS WILL BE DISBURSED IN EQUAL YEARLY INSTALLMENTS. | Cleveland, OH | $50K | 2023 |
| Asia Art ArchiveFOR GENERAL PROGRAM SUPPORT | Sheung Wan | $50K | 2023 |
| Asian Art Museum San FranciscoTO SUPPORT ASIAN ART MUSEUM OF SAN FRANCISCOS RESEARCH RELATED TO THE PLANNED EXHIBITION BN C KHNG LI CH DN - OLD MAPS LACK THE VOICE TO GUIDE US, CURATED BY ABBY CHEN, VICKY DO, VIT L, AND ARLETTE QUYNH-ANH TRAN. | San Francisco, CA | $50K | 2023 |
| Ccs Bard CollegeTO SUPPORT PRODUCTION OF THE HESSEL MUSEUM OF ART AT BARD COLLEGES AS-YET-UNTITLED EXHIBITION SURVEY OF NATIVE ART AND EXHIBITION HISTORIES, CURATED BY CANDICE HOPKINS | Annandaleonhudson, NY | $50K | 2023 |
| Colby College Museum Of ArtTO SUPPORT LINDE FAMILY FOUNDATION CURATOR OF ACADEMIC ENGAGEMENT JESSAMINE BATARIOS RESEARCH FOR THE PLANNED EXHIBITION IMAGINING AN ARCHIPELAGO (WORKING TITLE). | Waterville, ME | $50K | 2023 |
| Contemporary Art Museum Of St LouisTO SUPPORT THE CONTEMPORARY ART MUSEUM ST. LOUISS COST OF MOUNTING THE EXHIBITION PAUL CHAN: BREATHERS, TRAVELING FROM WALKER ART CENTER AND ORGANIZED AT CAM BY MISA JEFFEREIS. | St Louis, MO | $50K | 2023 |
| Gallery Climate CoalitionFOR GENERAL PROGRAM SUPPORT | St Jamess | $50K | 2023 |
| Institute For Contemporary Art - VirginiaTO SUPPORT THE ICA VCUS RESEARCH FOR AN INAUGURAL ART EDUCATION TRIENNIAL, CURATED BY SARAH RIFKY, NOAH SIMBLIST, AND DOMINIC WILLSDON. | Richmond, VA | $50K | 2023 |
| Ki CultureFOR GENERAL PROGRAM SUPPORT | Amsterdam | $50K | 2023 |
| Memphis Brooks Museum Of ArtTO SUPPORT THE MEMPHIS BROOKS MUSEUM OF ARTS COST OF MOUNTING THE EXHIBITION BLACK AMERICAN PORTRAITS, TRAVELING FROM LOS ANGELES COUNTY MUSEUM OF ART AND ORGANIZED AT MEMPHIS BROOKS BY ROSAMUND GARRETT. | Memphis, TN | $50K | 2023 |
| MophradatFOR GENERAL PROGRAM SUPPORT. | Brussels | $50K | 2023 |
| Museo De Arte Contemporaneo De Puerto RicoTO SUPPORT THE MUSEO DE ARTE CONTEMPORNEO DE PUERTO RICOS PRODUCTION OF THE EXHIBITION TROPICAL IS POLITICAL: CARIBBEAN ART UNDER THE VISITOR ECONOMY REGIME (A JOINT PROJECT BETWEEN MAC, SAN JUAN AND AMERICAS SOCIETY, NEW YORK, TAKING PLACE FALL 2022 - SPRING 2023). | San Juan, PR | $50K | 2023 |
| Museum Of Contemporary Art ChicagoTO COVER COSTS RELATED TO THE MUSEUM OF CONTEMPORARY ART CHICAGOS PRESENTATION OF THE EXHIBITION REBECCA MORRIS: 2001-2022, ORIGINALLY ORGANIZED BY JAMILLAH JAMES FOR ICA LA. | Chicago, IL | $50K | 2023 |
| Ngo Museum Of Contemporary ArtFOR GENERAL PROGRAM SUPPORT | Kyiv | $50K | 2023 |
| Sculpture Center IncTHREE-YEAR PROGRAM SUPPORT FOR SCULPTURE CENTER FOR CALENDAR YEARS 2023, 2024, AND 2025. FUNDS WILL BE DISBURSED IN EQUAL YEARLY INSTALLMENTS. | Queens, NY | $50K | 2023 |
| University Of California RiversideTO SUPPORT UCR ARTS COST OF MOUNTING THE EXHIBITION DAVID C. DRISKELL & FRIENDS: CREATIVITY, COLLABORATION & FRIENDSHIP, CO-ORGANIZED BY CURLEE R. HOLTON (DIRECTOR, DAVID C. DRISKELL CENTER FOR THE VISUAL ARTS AND CULTURE OF AFRICAN AMERICANS AND THE AFRICAN DIASPORA AT THE UNIV. OF MARYLAND); PROF. HEATHER SINCAVAGE (WILKES UNIVERSITY); AND DR. SHEILA BERGMAN (FORMER DIRECTOR, UCR ARTS, UC RIVERSIDE). | Riverside, CA | $50K | 2023 |
| The LuminaryTHREE-YEAR PROGRAM SUPPORT FOR THE LUMINARY FOR CALENDAR YEARS 2023, 2024, AND 2025. FUNDS WILL BE DISBURSED IN EQUAL YEARLY INSTALLMENTS. | St Louis, MO | $50K | 2023 |
| Tufts University Art GalleriesTO SUPPORT TUFTS UNIVERSITY ART GALLERIES COST OF MOUNTING THE EXHIBITION VXOA: WE KNOW, TRAVELING FROM PINACOTECA SO PAULO, BRAZIL, AND ORGANIZED FOR TUFTS BY CLAUDIA MATTOS AVOLESE AND DINA DEITSCH. | Medford, MA | $50K | 2023 |
| Sixty Inches From CenterTHREE-YEAR PROGRAM SUPPORT FOR SIXTY INCHES FROM CENTERS THE CHICAGO ARCHIVES + ARTISTS PROJECT FOR CALENDAR YEARS 2023, 2024, AND 2025. FUNDS WILL BE DISBURSED IN EQUAL YEARLY INSTALLMENTS. | Chicago, IL | $50K | 2023 |
| Center For Curatorial LeadershipGENERAL SUPPORT FOR THE CENTER FOR CURATORIAL LEADERSHIP. FUNDS WILL BE DISBURSED IN EQUAL YEARLY INSTALLMENTS. FUNDS WILL BE DISBURSED IN EQUAL YEARLY INSTALLMENTS. | New York, NY | $50K | 2023 |
| Chapel & York Us Foundation IncGENERAL SUPPORT FOR CHISENHALE GALLERY | New York, NY | $41K | 2023 |
| King Baudouin Foundation United StatesGENERAL SUPPORT FOR HAUS DER KUNST | New York, NY | $37K | 2023 |
| RhizomeTHREE-YEAR PROGRAM SUPPORT FOR RHIZOME FOR CALENDAR YEARS 2023, 2024, AND 2025. FUNDS WILL BE DISBURSED IN EQUAL YEARLY INSTALLMENTS. | New York, NY | $25K | 2023 |
| Racing MagpieTHREE-YEAR PROGRAM SUPPORT FOR RACING MAGPIE FOR CALENDAR YEARS 2023, 2024, AND 2025. FUNDS WILL BE DISBURSED IN EQUAL YEARLY INSTALLMENTS. | Rapid City, SD | $25K | 2023 |
| Summertime GalleryTHREE-YEAR PROGRAM SUPPORT FOR SUMMERTIME GALLERY FOR CALENDAR YEARS 2023, 2024, AND 2025. FUNDS WILL BE DISBURSED IN EQUAL YEARLY INSTALLMENTS. | Brooklyn, NY | $25K | 2023 |
| Beta-LocalTHREE-YEAR PROGRAM SUPPORT FOR BETA-LOCALS EXHIBITIONS PROGRAM CURATED BY ARNALDO RODRGUEZ BAGU FOR CALENDAR YEARS 2023, 2024, AND 2025. FUNDS WILL BE DISBURSED IN EQUAL YEARLY INSTALLMENTS. | San Juan, PR | $25K | 2023 |
| Corita Art CenterTHREE-YEAR PROGRAM SUPPORT FOR CORITA ART CENTER, IMMACULATE HEART COMMUNITY, AS LED BY CURATOR OLIVIAN CHA. FUNDS WILL BE DISBURSED IN EQUAL YEARLY INSTALLMENTS OVER CALENDAR YEARS 2023, 2024, AND 2025. | Los Angeles, CA | $25K | 2023 |
| University Of California Berkeley A Regents Of The University Of CaliforniaTO SUPPORT THE BERKELEY ART MUSEUM AND PACIFIC FILM ARCHIVES COST OF MOUNTING THE EXHIBITION A MOVEMENT IN EVERY DIRECTION: LEGACIES OF THE GREAT MIGRATION, ORGANIZED BY THE MISSISSIPPI MUSEUM OF ART AND BALTIMORE MUSEUM OF ART. | Berkeley, CA | $25K | 2023 |