1,000+ Opportunities
Find the right grant
Search federal, foundation, and corporate grants with AI — or browse by agency, topic, and state.
This listing may be outdated. Verify details at the official source before applying.
Find similar grants2026 cycle closed. 2027 competition opens in late summer 2026 with applications typically due September. Recurring annual program.
Guggenheim Fellowship is sponsored by John Simon Guggenheim Memorial Foundation. The Guggenheim Fellowship is one of the most prestigious awards for individual scholars, artists, writers, and scientists in the United States and Canada.
Get alerted about grants like this
Save a search for “John Simon Guggenheim Memorial Foundation” or related topics and get emailed when new opportunities appear.
Search similar grants →Extracted from the official opportunity page/RFP to help you evaluate fit faster.
Guggenheim Fellowship: Supporting exceptional individuals in more than 50 fields — Guggenheim Fellowships: Supporting Artists, Scholars, & Scientists Fellowships for exceptional individuals in Courtesy of the Martha Graham Dance Company Courtesy of the Carl Van Vechten Trust Courtesy of Oregon State University The John Simon Guggenheim Memorial Foundation offers fellowships to exceptional individuals in pursuit of scholarship in any field of knowledge and creation in any art form, under the freest possible conditions.
Discover our Fellowship program Once a Fellow, Always a Fellow Open modal Jennifer Doudna Fellow in Biochemistry & Molecular Biology Open modal Romare Bearden Fellow in General Nonfiction Open modal Dorothea Lange For 100 years, Guggenheim Fellows have made world-changing contributions to more than 50 fields of study, reshaping our culture and society.
Stories and Conversations Announcing the 2026 Guggenheim Fellows Fellows News (April-June 2026) Sharing what our Fellows are up to this spring Read conversations with and between Fellows, updates about the Fellowship, profiles of historic Fellows, and more. "The Boys" by Mark Thomas Gibson (2023). Ink on canvas, 67″x89 3/4″.
Your donations directly fund Fellowships that enable artists, writers, scholars, and scientists across the country to pursue their work. Biochemistry & Molecular Biology Jennifer Doudna is the Li Ka Shing Chancellor's Chair and a Professor in the Departments of Chemistry and of Molecular and Cell Biology at the University of California, Berkeley , as well as an Investigator of the Howard Hughes Medical Institute.
Doudna is also the founding Executive Director of the Innovative Genomics Institute . Her co-discovery of CRISPR-Cas9 genetic engineering technology, with collaborator, French scientist Emmanuelle Charpentier, has changed human, animal and agricultural research forever. This genome-editing technology enables scientists to change or remove genes quickly, with a precision only dreamed of until now.
Labs worldwide have re-directed the course of their research programs to incorporate this new tool, creating a CRISPR revolution with huge implications across biology and medicine. In recognition of this work, Doudna and Charpentier shared the 2020 Nobel Prize in Chemistry.
Doudna is also a leader in public discussion of the ethical and other implications of genome editing for human biology and societies, and advocates for thoughtful approaches to the development of policies around the use of CRISPR-Cas9. In addition to the Nobel Prize, has received many other prizes for her discoveries, including the Breakthrough Prize (2015), Japan Prize (2016), the Kavli Prize (2018), the Wolf Prize (2020).
In 2015, Doudna was named by Time Magazine as one of the 100 most influential people in the world. Photo Credit: Keegan Houser, UC Berkeley Romare Bearden, a leading twentieth-century painter and collage artist, was born in Charlotte, North Carolina, in 1911. He grew up in New York and Pittsburgh, and his childhood memories of both cities would become frequent subject matter of his art later in life.
Mr. Bearden attended Boston University and graduated from NYU with a degree in education. He studied art intensively as a student, and later worked as a cartoonist, editor, and art director for several journals and newspapers. In addition to pursuing his art, Mr. Bearden was a social worker in New York for decades.
In the 1940s he held solo exhibitions in Harlem, downtown New York, and Washington, D. C. , one of the few prominent African-American artists to exhibit artwork regularly at the time.
Mr. Bearden was an active part of the thriving intellectual and cultural life in Harlem, and a member of the Harlem Artists Guild, director of the Harlem Cultural Council, and a co-founder of The Studio Museum in Harlem, the Cinque Gallery, and the Black Institute of Arts and Letters. He was also well known as an encouraging mentor for younger artists.
However, his interests extended beyond the visual arts: he was an avid reader and jazz aficionado. He lived primarily in New York, with a second home in St. Martin, his wife’s native country.
He died in 1988, at seventy-five years of age. Mr. Bearden’s work drew inspiration from his own childhood in Harlem, and is revered for his poignant illustrations of modern African American life. His work displays influences ranging from the paintings of Giotto and Picasso to African sculpture and Japanese prints.
Early in his career, he worked reproducing Old Master paintings in black and white using Photostats. In his examinations of color divorced from form, Mr. Bearden reversed the black and white tones in the works, creating a type of race reversal through picturing dark-skinned rather than light-skinned figures in the famous paintings.
He was at the center of cultural and political life in Harlem, and a founder of Spiral, a group of African American artists committed to communicating civil rights sentiments in their work. Mr. Bearden’s collages originally began with a proposal for a collective collage initiative with the members of Spiral.
While the group expressed little interest in the idea, he began pursuing the art form seriously on his own, and is perhaps best known for these striking works. He received particular acclaim for his Projections, large-scale reproductions of his collage works enlarged by using photographic processes.
Mr. Bearden’s prolific career covered a wide variety of mediums, including oil paintings, collage, drawings, prints, costume design, poster and cover design, mosaics, and tapestries. He is the recipient of the Mayor's Award of Honor for Art and Culture in New York, the National Medal of Arts, and a member of the National Institute of Arts and Letters.
His work is in the collections of the Whitney Museum of American Art and the Metropolitan Museum of Art in New York, the Art Institute of Chicago, and the Smithsonian Museum of American Art and the Library of Congress in Washington, D. C. Mr. Bearden received a Guggenheim Fellowship in 1970 to work on a book on African-American art history.
The final product, A History of African-American Artists: From 1792 to the Present (Pantheon, 1993), was co-authored with Harry Henderson and published five years after Mr. Bearden’s death. Mr. Bearden spent over a decade reconstructing biographies, interviewing artists, and tracking down artworks while writing the book, a landmark volume on the history of African American art.
For more information on Romare Bearden: Romare Bearden at the National Gallery of Art Roxane Gay’s writing appears in Best American Mystery Stories 2014 , Best American Short Stories 2012 , Best Sex Writing 2012 , Harper’s Bazaar , A Public Space , McSweeney’s , Tin House , Oxford American , American Short Fiction , Virginia Quarterly Review , and many others. She is a contributing opinion writer for The New York Times .
She is the author of the books Ayiti, An Untamed State , the New York Times bestselling Bad Feminist , the nationally bestselling Difficult Women and New York Times bestselling Hunger: A Memoir of My Body , a finalist in Autobiography for the National Book Critics Circle. She is also the author of World of Wakanda for Marvel and the editor of Best American Short Stories 2018 .
As an associate professor at Purdue University, she teaches fiction and creative nonfiction, both in the MFA program and at the undergraduate level. She is currently at work on film and television projects, a book of writing advice, an essay collection about television and culture, and a YA novel entitled The Year I Learned Everything . She splits her time between Lafayette, IN and Los Angeles.
She loves tiny baby elephants. Profile photograph by Jay Grabiec As published in the Foundation’s Report for 1941–42: LANGE, DOROTHEA: Appointed for the making of documentary photographs of the American social scene, particularly in rural communities; tenure, twelve months from June 1, 1941. Born May 26, 1895, Hoboken, New Jersey.
Education: N ew York Training School for Teachers, 1914–17; Columbia University, 1917–18. Investigator-photographer, 1935, California State Emergency Relief Administration; Investigator-photographer, 1935–37, U. S.
Resettlement Administration; Photographer, 1935–39, U. S. Farm Security Administration; Photographer, 1940, U.
S. Bureau of Agricultural Economics. Publications: An American Exodus, 1939 (with Paul S.
Taylor). Contributor of photographs to Land of the Free, 1938. By signing up, you agree to receive emails from Guggenheim Fellowship.
Portal login or registration may be required to access the full application.
Key questions and narrative sections extracted from the solicitation.
Describe your proposed scholarly or creative project
Provide a record of past accomplishments
Submit letters of reference
Scoring criteria used to review proposals for this grant.
Based on current listing details, eligibility includes: U. S. or Canadian citizens or permanent residents. Not open to students. Applicants should confirm final requirements in the official notice before submission.
Current published award information indicates Varies (typically $25,000-$100,000+) Always verify allowable costs, matching requirements, and funding caps directly in the sponsor documentation.
The current target date is rolling deadlines or periodic funding windows. Build your timeline backwards from this date to cover registrations, approvals, attachments, and final submission checks.
Federal grant success rates typically range from 10-30%, varying by agency and program. Build a strong proposal with clear objectives, measurable outcomes, and a well-justified budget to improve your chances.
Requirements vary by sponsor, but typically include a project narrative, budget justification, organizational capability statement, and key personnel CVs. Check the official notice for the complete list of required attachments.
Yes — AI tools like Granted can help research funders, draft proposal sections, and check compliance. However, always review and customize AI-generated content to reflect your organization's unique strengths and the specific requirements of the solicitation.
Review timelines vary by funder. Federal agencies typically take 3-6 months from submission to award notification. Foundation grants may be faster, often 1-3 months. Check the program's timeline in the official solicitation for specific dates.
Many federal programs offer multi-year funding or allow competitive renewals. Check the official solicitation for continuation and renewal policies. Non-competing continuation applications are common for multi-year awards.
Exhibition Grants is sponsored by Henry Luce Foundation, American Art Program. The American Art Program supports scholarly loan exhibitions that significantly contribute to the study and understanding of art of the United States, including all facets of Native American art. These grants aim to empower art museums to reconsider accepted histories, amplify underrepresented voices, and facilitate dialogue with diverse collaborators and communities.
Arts Projects: Media Arts is sponsored by National Endowment for the Arts (NEA). NEA Arts Projects: Media Arts grants support projects that contribute to a healthy and thriving arts ecosystem that is responsive to the dynamic, diverse, and evolving nature of the film and media arts field. This includes support for artists and audiences to engage with a spectrum of media arts genres and practices such as traditional or expanded forms of storytelling; visual expression; and performance using film, cinema, audio, broadcast, new media, creative code, and related formats at the intersection of arts and technology.