AI for Good Film Festival is sponsored by AI for Good Global Summit (ITU). An international competition showcasing how AI can expand creative possibilities in filmmaking while delivering a powerful, positive message about solving global challenges.

AI for Good Film Festival - AI for Good AI for Good Film Festival International film competition showcasing how AI expands creative filmmaking while driving positive impact Bridging the power of technology, the art of storytelling, and the drive for positive social impact, the AI for Good Film Festival is an international competition that showcases how AI can expand creative possibilities in filmmaking while delivering a powerful, positive message about solving global challenges.

AI for Good invites all creatives interested in exploring the potential of AI in scriptwriting, storyboarding, image creation, digital effects, and more to submit original works that are generated or enhanced using AI tools.

These submissions should transport audiences to new worlds, narratives, and eras, while exploring the ethical, social, and existential questions raised by AI and emphasizing the continued importance of human talent in the filmmaking process.

Deadline for finalists to share their information Finalists come to Geneva for the AI for Good Global Summit 2026 The selection of films for the AI for Good Film Festival will be at the discretion of the panel of judges. After the submission deadline on May 15, 2026, at 23:59 CEST, the Jury Panel will review all submissions and select four finalists.

These finalists will be invited to participate in the AI for Good Film Festival Screening and Reception during the AI for Good Global Summit, taking place from July 7 to 10, 2026. Filmmakers will be notified via email by June 1, 2026, if their film has been selected for the AI for Good Film Festival Premiere.

Quality of the overall film composition The film should exhibit a strong artistic vision, demonstrating a unique and imaginative approach to the subject matter while reflecting the filmmaker's individual perspective on the role of technology in shaping the future.

Cohesion of the film narrative and artistic message The film should present a compelling and well-structured narrative that aligns with the festival’s theme of envisioning how AI and technology influence the world. A clear artistic message should be communicated through storytelling, visuals, and direction.

Creativity and originality The film should showcase fresh storytelling, innovative artistic vision, and an original approach to filmmaking. It should captivate audiences with its unique perspective, engaging storytelling techniques, or unexpected artistic elements. Boundary-transcending, international resonance The film should showcase the potential of AI, using storytelling to engage with global challenges.

Its narrative should resonate across cultures and create a meaningful, inclusive impact for diverse audiences. AI techniques incorporated The film should creatively and purposefully use AI tools to enrich the cinematic expere, such as generative algorithms, neural networks, or machine learning.

Ethical and legal integrity The submitted films should adhere to the following submission guidelines: AI technologies need to be a core component of the filmmaking process, but the film does not need to be entirely AI-generated. The content must be original and should not violate or infringe on another’s rights.

Invitation to the AI for Good Global Summit 2026 Finalists will be invited to participate in the AI for Good Global Summit 2026 with an exclusive Speaker Pass. Finalist films will be showcased at the Film Festival Premiere Event on Thursday 9 July , before a distinguished jury and an international audience.

AI for Good Film Festival trophy Award winners will receive the official AI for Good Film Festival Trophy, recognizing excellence in storytelling on AI in solving global challenges. RAISE explores a central question: Is wisdom greater than intelligence, and must we draw upon the wisdom of our past to guide the intelligence of our future?

A companion single-film educational adaptation will expand the project’s impact through global screenings and discussions with governments, foundations, classrooms, and universities, bringing a vital conversation about intelligence, ethics, and the future to audiences around the world. Directed by Michael P. Nash Lindsey Mastis is a four-time Emmy and regional Edward R.

Murrow Award-winning journalist and the first local news anchor in the United States specializing in artificial intelligence. As an independent AI & tech storyteller and founder of Blue Moves Media, she demystifies emerging technology through human-centered reporting, documentary-style features, and global speaking engagements. Her work spans two decades of frontline journalism from mass shootings to robots on Capitol Hill.

During the pandemic, she created a daily unscripted live program that reached more than 23 million viewers, connecting the public with medical experts and trusted information. Lindsey’s reporting has taken her across the world.

She produced and hosted a documentary on child survival in India as an International Reporting Project fellow, covered international issues in Mexico, and taught digital journalism to reporters in Iraqi Kurdistan. Her latest independent feature, “Is AI Ruining Music? ”, includes perspectives from artists such as Rosanne Cash, Jackson Browne, and DJ CherishTheLuv, and has been featured by BBC Radio.

She also scored the piece herself, drawing on her work as a singer-songwriter. Lindsey founded Blue Moves Media as a new model for independent, ethical AI journalism that helps global audiences understand and trust the technologies shaping their future.

Vice President, AI & Engineering , The Walt Disney Company Hans Ku is Vice President of AI & Engineering at The Walt Disney Company, leading AI strategy and execution from Disney’s Office of Technology Enablement. His work centers on AI that protects creators and the IP behind the stories.

Prior to Disney, he co-founded Scenely, an AI-native cinematic script-to-screen startup, helped start TikTok as CPO of Flipagram, led product at Tubi and Instagram, and architected the Sci-Tech Award-winning DreamColor display at DreamWorks Animation. Osnat is the Co-Chief Creator Officer of Baobab Studios, a 10x Emmy-winning leading independent animation studio that has released story franchises Invasion! , Asteroids!

, Jack Crow: The Legend, Bonfire, Baba Yaga and Namoo all to commercial and critical acclaim. She brings over 30 years of animation experience to the studio. She produced Disney’s Oscar-nominated Moana and Raya and the Last Dragon.

Moana remains one of the most-watched family films in the world. Previously, she led Pixar’s short films group and served as VP of Development at Walt Disney Feature Animation. Malik Afegbua is an award-winning Nigerian filmmaker, contemporary artist, designer, and creative technologist recognized globally for his pioneering work at the intersection of storytelling, culture, and technology.

Ranked among the top five AI artists in Africa, he is widely regarded as one of the continent’s leading voices shaping the future of creativity and innovation. He is the Founder and CEO of Slickcity Media and Executive Director of Gener8 and CELS AFRICA, where he leads groundbreaking projects merging African futurism, artificial intelligence, and immersive media to reclaim and reimagine African narratives.

A Salzburg Global Fellow, Malik serves on Nigeria’s Council for Creative Technology Futures and is an Advisory Council Member for Young Leaders in Art and Health. His acclaimed project The Elder Series sparked a global conversation on ageing and representation, featured by major international platforms and institutions.

Actively working to correct bias in the AI and digital space, Malik’s work and philosophy have been the subject of numerous academic studies, featured in art and academic books worldwide, and cited in several students final-year projects across disciplines. He has also contributed to roadmap policies on generative AI, helping shape ethical frameworks for the future of creative technology.

Through film, fashion, and technology, Malik continues to collaborate with global brands, cultural institutions, and development organizations to advance Africa’s creative digital economy and inspire the next generation of storytellers. Share this speaker Michaela A. Ternasky-Holland Emmy Award-Winning and Peabody Nominated Director Michaela A.

Ternasky-Holland is a Peabody-nominated and Emmy award-winning director who specializes in creating impactful stories using immersive and interactive technology. She is one of the first directors to create and premiere a short film utilizing Open AI’s SORA platform, which screened at Tribeca Festival. Her first original animated series garnered over 2.

2 million views on YouTube within a month of release. More of her prolific work in animation has been recognized as Best Directing in XR by The Collision Awards, VR Film of Year Finalist by the International VR Awards, and Grand Prize Winner at The Philippine Animation Festival.

As a nominee for the Producers Guild of America’s Innovation Award, she is also a consultant, speaker, and thought leader, who has been recognized as one of the 100 Original Voices of XR and listed as one of Blooloop’s 50 Immersive Influencers.

Co-founder, Liquid Logic; Adjunct Assistant Professor , Columbia University School of Arts Matthieu Lorrain navigates the frontier of creativity and technology, shaping new forms of digital experience and storytelling. He is the ex-Creative Lead, AI & Creativity Research, at Google DeepMind. He is also the co-founder of Liquid Logic, an art collective exploring the future of Augmented Creativity.

Matthieu Lorrain has a long history of working with recognized artists and global organizations to reimagine interactive storytelling. He has explored creative applications of emerging technologies for the last 20 years, ranging from interactive video to connected objects, augmented reality, and artificial intelligence. His most recent work focuses on how generative AI can supercharge the creative experience.

His past projects have received multiple accolades from global organizations including Emmy Awards, Cannes Lions (Gold), Clios (Gold), Webby’s, Tribeca Film Festival, ‘#1 Product Hunt of the Day,’ and FWA. Matthieu is an educator at Columbia University School of Arts, where he teaches “Augmented Creativity” and delivered the inaugural masterclass on AI & Filmmaking in 2024.

He is also a guest lecturer at New York University, Parsons School of Design, and the Fashion Institute of Technology. Matt is frequently invited as a featured speaker at major conferences. He has previously spoken at SXSW, Cannes Lions, Cannes Film Festival, Venice Film Festival, and Ars Electronica.

Born and raised in the French Alps, Matthieu fell in love with creative technology in the underground tekno raves of the early 2000s. He has since lived in Rio de Janeiro, Montreal, and Paris before moving to New York City in 2011. Matthieu has received executive education from the Wharton School of the University of Pennsylvania.

He also holds Master’s degrees in Cultural Studies from Institut d’Etudes Politiques de Grenoble and in Marketing & Communication from ESCP Paris Business School. Director, screenwriter and actress Yiwen CAO is a young female director, screenwriter and actress from Hong Kong, China. Her debut feature film What’s next?

was selected by 2025 Berlin International Film Festival (Forum). And she is recognized as the first director in the world whose AI films selected by three major European international film festivals (Cannes, Berlinale or Venice) .

Yiwen has also been invited as a keynote speaker on AI theme at the European Film Market of the Berlin International Film Festival, the Singapore Asian Film Market, and the Golden Rooster Awards AI Film Night in China. And she has been interviewed multiple times by worldwide filmmakers, including Emmy Award winners.

Her AI short films have received awards and nominations at multiple international festivals, including Academy Award–qualifying festivals, Animation Day at both the Cannes International Film Festival and Venice International Film Festival, as well as the World AI Film Festival (Cannes) . And her other AI work won “See the Unseen” award at the 2025 First International Film Festival, which is the biggest youth film festival in China.

Before focusing on AI filmmaking, Yiwen worked in the traditional film industry as a screenwriter and actress, receiving multiple Best Screenplay and Best Actress awards at international film festivals, including BAFTA-qualifying and Canadian Screen Award-qualifying festivals. Orri Bogdan is a repeat founder in CPG and ad-tech. His first company ALL DAY reached over $10M in revenue in year 2.

Orri has raised from investors including the founder of Netflix, JUUL, and other notable entrepreneurs. Why the AI for Good Film Festival Celebrate the power of film to drive positive change and explore how AI is helping to solve humanity’s biggest challenges.

The Film Festival will feature a carefully curated selection of powerful and thought-provoking films that showcase the intersection of technology, art, and social impact, inspiring global audiences to take action toward solving global challenges. A team of leading directors, technology experts and AI pioneers will meet to evaluate the films collected and define the winners.

The initiative provides a platform for filmmakers, technologists, and activists to share their unique perspectives and collaborate on innovative solutions to the world's pressing challenges using the power of storytelling and AI for Good. Participate in the exclusive AI for Good Film Festival Screening and Reception, hosted by ITU, during the AI for Good Global Summit 2026.

AI for Good Film Festival 2026 Sponsor The official selection 2025 “Clown” spotlights and addresses critical global challenges by delving into the psychological aspects of discrimination and violence against women, focusing on how societal biases and deeply rooted prejudices manifest in subtle yet damaging ways.

The central character represents the inner conflict and emotional scars carried by women who face constant judgment, objectification, and suppression in both public and private spheres. Directed by Shanshan Jiang SOULS OF THE SHIPWRECK (WINNER) The film addresses universal themes of loss, remembrance, and emotional healing in the aftermath of disaster.

Through the journey of a woman who restores color to lost souls, it reflects on the silent trauma faced by individuals and communities affected by grief, war, and displacement. In a world shaped by both environmental and emotional wreckage, the film serves as a poetic exploration of resilience, empathy, and the need to reconnect with forgotten humanity.

Directed by Dejawa (Yunsun Lee), Dana (Jungmin Hong), and Panda Gomm (Kyungsoo Lee) “Clothes of Deception” challenges our notions and judgments about beauty and ugliness. Too often, we assign labels and rely on stereotypes that do not reflect reality. The film explores the theme of loneliness, which is not always tied to being alone, but rather to the inability to connect with others in an apparently hyperconnected world.

It can be interpreted as a metaphor for someone living in a foreign country, for autism and the challenges of communication, or more broadly, it reflects on the human need to connect and the difficulties some individuals face in doing so. Directed by Isabelita Virtual Directed by Fawaz Al-Matrouk WHAT TO BE? A JOURNEY THROUGH AI Mia, a teenage girl, needs to do a school presentation about her dream career.

The only problem being that she is completely unprepared. However, she has the perfect solution: to ask for help from an AI chatbot. Through a fantastic journey into a digital world, Mia learns about generative AI, whether it can help her future profession, and most importantly, about herself.

Directed by Ricardo Megre Directed by Roxanne Ducharme In person AI and industry AI for Good Film Festival 2026 screening Reimagining video with AI: Unlocking next‑generation AI for creators and industry AI for Good Award at Reply AI Film Festival 2025 – Venice Premiere 30 seconds for humanity (AI story jam using Sora for a better world) In person & online AI and industry AI for Good Film Festival 2025 screening A clockwork “Hollywood”?

The role of AI in filmmaking In person & online AI and industry AI for Good Film Festival 2025 screening AI for Good Innovation Factory Türkiye Winner is “Viseur AI” L’empresa mèdica que portarà IA catalana a un concurs de l’ONU will. i.

am to headline the AI for Good Global Summit Gara di robotica ONU, le qualificazioni a Lugano The classroom as clinic: how TOY EIGHT Holdings Inc. is rethinking early education with AI All fields marked * are mandatory.

Include password/access instructions if needed Primary country of production* —Please choose an option— Afghanistan Albania Algeria Andorra Angola Antigua and Barbuda Argentina Armenia Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bhutan Bolivia (Plurinational State of) Bosnia and Herzegovina Botswana Brazil Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Cabo Verde Canada Central African Republic Chad Chile China Colombia Comoros Congo (Rep.

of the) Costa Rica Cote d'Ivoire Croatia Cuba Cyprus Czech Republic Dem. People's Rep. of Korea Dem.

Rep. of the Congo Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Fiji Finland France Gabon Gambia Georgia Germany Ghana Greece Grenada Guatemala Guinea Guinea-Bissau Guyana Haiti Honduras Hungary Iceland India Indonesia Iran Iraq Ireland Israel Italy Jamaica Japan Jordan Kazakhstan Kenya Kiribati Korea (Rep. of) Kuwait Kyrgyzstan Lao P.

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Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Mauritania Mauritius Mexico Micronesia Moldova Monaco Mongolia Montenegro Morocco Mozambique Myanmar Namibia Nauru Nepal Netherlands New Zealand Nicaragua Niger Nigeria North Macedonia Norway Oman Pakistan Palau Panama Papua New Guinea Paraguay Peru Philippines Poland Portugal Qatar Resolution 99 (State of Palestine) Romania Russian Federation Rwanda Saint Kitts and Nevis Saint Lucia Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Slovakia Slovenia Solomon Islands Somalia South Africa South Sudan Spain Sri Lanka Sudan Suriname Sweden Switzerland Syrian Arab Republic Tajikistan Tanzania Thailand Timor-Leste Togo Tonga Trinidad and Tobago Tunisia Türkiye Tuvalu Uganda Ukraine United Arab Emirates United Kingdom United States Uruguay Uzbekistan Vatican Vanuatu Venezuela Viet Nam Yemen Zambia Zimbabwe How AI is used in the film’s production* Global challenge(s) addressed* For important information regarding the classification, please go to the Division’s website and review the last two questions in the Q&A page.

Please be advised that the utilization of this list by AI for Good is exclusively for the purpose of ticketing for the 2024 AI for Good Global Summit, unless otherwise specified Country or Area ISO-alpha2 Code ISO-alpha3 Code Developed / Developing regions Algeria DZ DZA Developing Egypt EG EGY Developing Libya LY LBY Developing Morocco MA MAR Developing Sudan SD SDN Developing Tunisia TN TUN Developing Western Sahara EH ESH Developing British Indian Ocean Territory IO IOT Developing Burundi BI BDI Developing Comoros KM COM Developing Djibouti DJ DJI Developing Eritrea ER ERI Developing Ethiopia ET ETH Developing French Southern Territories TF ATF Developing Kenya KE KEN Developing Madagascar MG MDG Developing Malawi MW MWI Developing Mauritius MU MUS Developing Mayotte YT MYT Developing Mozambique MZ MOZ Developing Réunion RE REU Developing Rwanda RW RWA Developing Seychelles SC SYC Developing Somalia SO SOM Developing South Sudan SS SSD Developing Uganda UG UGA Developing United 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Republic of Korea KP PRK Developing Mongolia MN MNG Developing Brunei Darussalam BN BRN Developing Cambodia KH KHM Developing Indonesia ID IDN Developing Lao People’s Democratic Republic LA LAO Developing Malaysia MY MYS Developing Myanmar MM MMR Developing Philippines PH PHL Developing Singapore SG SGP Developing Thailand TH THA Developing Timor-Leste TL TLS Developing Viet Nam VN VNM Developing Afghanistan AF AFG Developing Bangladesh BD BGD Developing Bhutan BT BTN Developing India IN IND Developing Iran (Islamic Republic of) IR IRN Developing Maldives MV MDV Developing Nepal NP NPL Developing Pakistan PK PAK Developing Sri Lanka LK LKA Developing Armenia AM ARM Developing Azerbaijan AZ AZE Developing Bahrain BH BHR Developing Georgia GE GEO Developing Iraq IQ IRQ Developing Jordan JO JOR Developing Kuwait KW KWT Developing Lebanon LB LBN Developing Oman OM OMN Developing Qatar QA QAT Developing Saudi Arabia SA SAU Developing State of Palestine PS PSE Developing Syrian Arab Republic SY SYR Developing Turkey TR TUR Developing United Arab Emirates AE ARE Developing Yemen YE YEM Developing Fiji FJ FJI Developing New Caledonia NC NCL Developing Papua New Guinea PG PNG Developing Solomon Islands SB SLB Developing Vanuatu VU VUT Developing Guam GU GUM Developing Kiribati KI KIR Developing Marshall Islands MH MHL Developing Micronesia (Federated States of) FM FSM Developing Nauru NR NRU Developing Northern Mariana Islands MP MNP Developing Palau PW PLW Developing United States Minor Outlying Islands UM UMI Developing American Samoa AS ASM Developing Cook Islands CK COK Developing French Polynesia PF PYF Developing Niue NU NIU Developing Pitcairn PN PCN Developing Samoa WS WSM Developing Tokelau TK TKL Developing Tonga TO TON Developing Tuvalu TV TUV Developing Wallis and Futuna Islands WF WLF Developing Please fill in the form below Application Deadline: 1 September 2026 --- Afghanistan Albania Algeria Andorra Angola Antigua and Barbuda Argentina Armenia Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bhutan Bolivia (Plurinational State of) Bosnia and Herzegovina Botswana Brazil Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Cabo Verde Canada Central African Republic Chad Chile China Colombia Comoros Congo (Rep.

of the) Costa Rica Cote d'Ivoire Croatia Cuba Cyprus Czech Republic Dem. People's Rep. of Korea Dem.

Rep. of the Congo Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Fiji Finland France Gabon Gambia Georgia Germany Ghana Greece Grenada Guatemala Guinea Guinea-Bissau Guyana Haiti Honduras Hungary Iceland India Indonesia Iran Iraq Ireland Israel Italy Jamaica Japan Jordan Kazakhstan Kenya Kiribati Korea (Rep. of) Kuwait Kyrgyzstan Lao P.

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Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Mauritania Mauritius Mexico Micronesia Moldova Monaco Mongolia Montenegro Morocco Mozambique Myanmar Namibia Nauru Nepal Netherlands New Zealand Nicaragua Niger Nigeria North Macedonia Norway Oman Pakistan Palau Panama Papua New Guinea Paraguay Peru Philippines Poland Portugal Qatar Resolution 99 (State of Palestine) Romania Russian Federation Rwanda Saint Kitts and Nevis Saint Lucia Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Slovakia Slovenia Solomon Islands Somalia South Africa South Sudan Spain Sri Lanka Sudan Suriname Sweden Switzerland Syrian Arab Republic Tajikistan Tanzania Thailand Timor-Leste Togo Tonga Trinidad and Tobago Tunisia Türkiye Tuvalu Uganda Ukraine United Arab Emirates United Kingdom United States Uruguay Uzbekistan Vatican Vanuatu Venezuela Viet Nam Yemen Zambia Zimbabwe HQs Organization Address* Organization Years in Operation* Organization Total Number of Employees* Organization Industry/Sector* Describe your organization's experience in organizing or leading robotics or technology projects focused on sustainable development* Explain why your expertise makes you a strong candidate to organize the Robotics for Good Youth Challenge in your country or region* terms-and-conditions *I have read and understood the Robotics for Good Youth Challenge Terms and Conditions and hereby agree to be bound by them.

guidelines *I have read the Robotics for Good Youth Challenge Local Chapter Organizer Guidelines and hereby agree to be bound by them. rulebook *I have read the Robotics for Good Youth Challenge Rulebook 2025-2026 and hereby agree to be bound by them. I confirm that I have completed the required self-due diligence.

Express your interest to participate Please fill in the form below Organization country* --- Afghanistan Albania Algeria Andorra Angola Antigua and Barbuda Argentina Armenia Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bhutan Bolivia (Plurinational State of) Bosnia and Herzegovina Botswana Brazil Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Cabo Verde Canada Central African Republic Chad Chile China Colombia Comoros Congo (Rep.

of the) Costa Rica Cote d'Ivoire Croatia Cuba Cyprus Czech Republic Dem. People's Rep. of Korea Dem.

Rep. of the Congo Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Fiji Finland France Gabon Gambia Georgia Germany Ghana Greece Grenada Guatemala Guinea Guinea-Bissau Guyana Haiti Honduras Hungary Iceland India Indonesia Iran Iraq Ireland Israel Italy Jamaica Japan Jordan Kazakhstan Kenya Kiribati Korea (Rep. of) Kuwait Kyrgyzstan Lao P.

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Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Mauritania Mauritius Mexico Micronesia Moldova Monaco Mongolia Montenegro Morocco Mozambique Myanmar Namibia Nauru Nepal Netherlands New Zealand Nicaragua Niger Nigeria North Macedonia Norway Oman Pakistan Palau Panama Papua New Guinea Paraguay Peru Philippines Poland Portugal Qatar Resolution 99 (State of Palestine) Romania Russian Federation Rwanda Saint Kitts and Nevis Saint Lucia Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Slovakia Slovenia Solomon Islands Somalia South Africa South Sudan Spain Sri Lanka Sudan Suriname Sweden Switzerland Syrian Arab Republic Tajikistan Tanzania Thailand Timor-Leste Togo Tonga Trinidad and Tobago Tunisia Türkiye Tuvalu Uganda Ukraine United Arab Emirates United Kingdom United States Uruguay Uzbekistan Vatican Vanuatu Venezuela Viet Nam Yemen Zambia Zimbabwe HQs Organization Address* Tell us how you would like to participate* I do not wish to receive any additional invitations to AI for Good sessions in the future I confirm that I have completed the required self-due diligence.

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