Climate and Labour Film Grant

Climate and Labour Film Grant is sponsored by The Pulitzer Center, the Financial Times and One World Media. This film partnership focuses on climate change and labor. It seeks an experienced filmmaker to explore, through a short documentary, how climate change is affecting lives and work in the global south.

Climate and Labour film Grant – One World Media Climate Reporting Gap Fellowship The Pulitzer Center, the Financial Times and One World Media are excited to announce a new film partnership focused on climate change and labour. We’re looking for an experienced filmmaker who wants to explore, through a short documentary, how climate change is affecting lives and work in the global south.

We want to amplify new perspectives, stories and voices on our changing climate with particular focus on the economic transition. Through Pulitzer’s Our Work/Environment initiative , journalists have documented some of the risks of rising temperatures for workers, in fields and in factories.

In the past two years, reporters have traveled throughout India and across Nigeria, Ghana, Sri Lanka, Kenya, Uruguay, Paraguay and South Africa to document the impact of extreme heat and weather on some of the world’s most vulnerable workers—including women who are often heads of household—and we encourage stories that detail the interconnected nature of business, climate, and consumer choices. We want to understand workers.

We want to understand companies. We appreciate accountability reporting. To apply you’ll need to be from the global south and working in the global south.

We’re particularly keen to hear creative proposals, ideas that are newsworthy, cover an underreported story, or hear from people who are often unheard and offer unexpected or rare access to working conditions and workplaces. Your film will need to be 25 minutes or less and be completed by June 2025.

The successful filmmaker will receive the following: Up to £20k funding for their film A named executive for their documentary and production support A commission from the Financial Times with their final film made freely available on the FT’s platform.

Global promotion of their film from all three partners and associated screenings Membership of the OWM global alumni network To apply you’ll need to show: 5+ years of evidenced experience as a documentary-maker. We want to see links to recent work, broadcast credits or festival screenings.

References from a previous commissioner/exec A recorded pitch (3 minutes or under) – this can be filmed on your phone or an audio recording – about your idea A written synopsis of your idea with a detailed budget. If your film is reliant on negotiating particular access or following a particular person/subject we want you to show how far along you are with these discussions. The deadline for applications is 1 Sep 2024 .

We particularly encourage submissions from underrepresented groups (people of colour, ethnic groups, women, LGBTQ+, or people with disabilities) In case of any queries, please write to [email protected] With over 30 years’ experience in broadcasting and many awards under her belt, Flora is always on a mission to uncover and mentor new talent, and to bring stories made by local filmmakers around the world to an international audience.

She conceived and ran Channel 4’s long running Unreported World, and was the founding commissioning editor of Witness, Al Jazeera English’s flagship documentary strand which transmitted to 280 million homes worldwide. Since leaving, she has run workshops for BBC Media Action with Libyan filmmakers, and acted as a mentor for IDFA Academy, East Doc platform, EsoDoc, Docs in Thessaloniki (with the EDN) and Medimed in Sitges.

She is the Director of Global Short Docs Forum, and an Executive Producer and a mentor for the One World Media Fellowship. Dominique is an Executive Producer in international documentary and factual programming.

For many years she was Senior Commissioning Producer for the Witness, the observational documentary strand on Al Jazeera English, executive producing programming from Africa and the Middle East with an emphasis on developing young, regional documentary makers.

She was also International Executive Producer at Zinc Network, a production and communications company specialising in social change campaigns, overseeing all international filmed output for online platforms. Laurence has worked at the Guardian for over 10 years. He was initially an in-house video producer, working across a wide-range of international news stories, documentaries, interactives and investigations.

He has won multiple awards for his work – including Firestorm, Fast Ice and Building the Bomb – and has filmed in places such as Antarctica, the Arctic, West and East Africa, the Middle East, Australia, and all across the United States. Laurence is currently a Special Projects Editor and oversees many of the Guardian’s in-house documentaries and multimedia projects – such as The Trap, The Tower Next Door and Beyond the Blade.

Horia is a filmmaker and documentary producer at Al Jazeera English, based in Doha. She has been with the channel since 2012. Horia’s films include A Marrakech Tale, Paris: Voice of the Suburbs, When Time Stopped at Sea, East End Undertakers, Undocumented and Under Attack and Out of Sight in Kashmir.

Horia is interested in multi-layered, non-judgmental and impact-driven films that explore global issues through personal narratives. Marianne commissions original digital productions within ARTE France Digital Department. Our objectives are to support creativity, innovation, and public service for digital ecosystems.

Some recent coproductions include VR productions Gloomy Eyes and upcoming Battlescar and 4 feet high, fiction series Tu préfères, documentary series Fail in Love and The Internet of Everything. Rosie is the Digital Documentaries Producer for BBC Arabic, and the founder of Mediadante; an award-winning independent production company making films about the Middle East region for a global audience.

She is the producer of the multi award-winning The Workers Cup that premiered on the opening night of Sundance 2017. The International Emmy-award winning Escape from Isis which she developed for Channel 4 and PBS was referenced by the UK Prime Minister in a key speech and shown to the U.S. Congress.

She exec produced a CINE Golden Eagle winning series following the rst Saudi woman up Everest, and she is the author of the award-winning book How to Avoid Being Killed in a War Zone (Bloomsbury, 2011). Ahmed is an award-winning senior investigative journalist and producer at BBC Arabic Documentaries.

He’s responsible for building up and strengthening a network of freelance investigative journalists, to produce important in-depth stories from the Middle East and Arab world, to give voice to more voiceless people. He was working with IMS, the Guardian Foundation and ARIJ, as an investigative documentary producer and trainer on a long-term project “Syria in Depth”.

Ahmed has a journalism professional fellowship program managed by the international centre for journalists ICFJ, which is funded by the U.S. State Department’s Bureau of Educational and Cultural Affairs (USA, 2014). Lesley fuses success in television and digital production with a passion for mentoring and inspiring the next generation of documentary filmmakers.

As Executive in Charge of Production for CBC Docs at the Canadian Broadcasting Corporation (CBC), Lesley created the award-winning CBC Short Docs – point of view documentaries available internationally on the CBC Docs Youtube channel, on the streaming service CBC Gem in Canada and regularly broadcast nationally on CBC Television.

CBC Short Docs have premiered and won awards at festivals worldwide including TIFF, Hot Docs, IDFA, Sheffield, Sundance, DOC NYC and many more. Lesley is passionate about working with and highlighting the voices of filmmakers from underrepresented communities, and her commissions reflect that commitment – over 75% of CBC Short Docs are by BIPOC filmmakers.

Lindsay is Head of Documentaries at the Guardian where she commissions and curates the Guardian’s documentary films. Her core focus is the documentary strand for short films with character-led narratives about compelling, contemporary stories, including the Oscar-winning Colette. Lindsay is passionate about innovation in digital storytelling and has a strong journalistic as well as filmmaking background.

Her work has been shown at festivals around the world and has been recognised with a number of prestigious awards. Jess is Executive Producer of Documentaries and Features at the Guardian. Her documentary titles include; Our Iranian Lockdown, Divided Cities (5 x part series) and Crossing the Line (5 x part series).

Her best known drama projects include; What has the ECHR ever done for uswith Partick Stewart and a series of scripted monologues entitled Brexit Shorts and Europeans.

Prior to the Guardian, Jess produced and exec produced both documentaries and drama for television, cinema and online, including titles such as; McCullin, double BAFTA nominated feature documentary, Attacking the Devil about the Sunday Times editor Harold Evans which was the Sheffield Jury Prize Winner 2014, Radiator, micro-budget drama feature film exec’d by Rachel Weisz, Akram Khan: Homeland – More 4 one-off documentary on the dancer and choreographer Akram Khan, Rankin Presents; Collabor8te a four part series for Sky Arts exploring the craft of short filmmaking and finally ‘The Arbor’ BAFTA nominated docu-drama, directed by Clio Barnard.

Valeria began her career in photography and documentary producing multimedia and short films for the Italian photo agency Prospekt. In 2011, she joined Panos Pictures, producing, shooting and editing films in Afghanistan, DRC, Jordan, Malawi, Mexico, Mozambique, South Africa and Thailand among others, for online newspapers and magazines, NGOs, international organisations, and film festivals.

She joined the Thomson Reuters Foundation in 2016 as a multimedia producer, where she covers humanitarian news and plays a key role in producing and editing the Earth Focus climate change series in partnership with American broadcaster KCET. Shin joined NHK in 1997. He began his career in program-making at NHK Hiroshima Station where he wrote and directed documentaries about untold stories of Atomic Bomb survivors.

In 2001, he moved to NHK Broadcasting Center in Tokyo where he continued to direct factual programs focusing on arts and culture. In 2009, he joined NHK’s international co-productions team and assisted the development of large-scale co-pros with international broadcasters as well as author-driven projects with independent filmmakers from around the world.

Shin is currently a senior producer in the Media Design unit of Program Production Department, overseeing NHK’s half-hour documentary strand No-Naré while producing one-off specials with domestic and international partners. Lianne is an award-nominated journalist with over a decade of experience producing and directing documentaries, news and feature content.

Prior to her current leadership role at VICE World News, she spent over ten years at CNN International covering breaking news and producing films on human rights, business, the environment, technology and culture. In 2015 she launched CNN Style, overseeing a global team creating films across TV, digital and social platforms.

She currently heads up the digital team at VICE World News in London and continues to direct her own independent documentaries. Mélanie is a French investigative journalist and documentary filmmaker based in London. She has produced and directed short documentaries for The Guardian, NBC Left Field and Vice among others.

Always seeking to let underrepresented communities and the story they want to tell guide her process, Mélanie has documented the diamond trade in the Central African Republic, pangolins trafficking in Cameroon, reported on the political crisis in Burundi, travelled with khat smugglers in Djibouti, and been smuggled herself behind army lines by activists in Sri Lanka.

She was a nominee for the inaugural Mary Chirwa Award for Courageous Leadership. Marta is a documentary filmmaker, photographer and writer of Armenian origin. Currently based in London, she continues to develop her independent projects whilst contributing to cultural magazines and working for productions of digital learning content.

Her latest short film was about the aftermath of the National Museum in Rio de Janeiro, which fuelled her interest in the issues of cultural heritage, identity and collective memory. She is currently developing a new film project in Armenia, which documents a revival of an abandoned scientific heritage site. Daniel is an artist and filmmaker based in Glasgow.

He immerses himself in the lives of his subjects creating work that is at once performative, factual and fictional. In 2017 he screened his debut film ‘The King and I’ about new town Edinburgh eccentric Graham Croan Bee. It has since screened at numerous festivals within the UK and abroad.

He had his first solo exhibition ‘Glassmount’ at the Embassy Gallery in Edinburgh in 2018. Regularly collaborating with artists, he was approached by female performance group Stasis to collaborate on several projects including a music video named ‘Faux Pas’ which featured on Nowness in 2017. Diego is a self-taught videographer, editor, and independent filmmaker from San Diego, California.

Through his production company, Diego Lynch Productions, he provides videography services, amplifying the voices of social change-makers. Prior to starting work on “Democracy in America’s Little Baghdad” Diego was in New York – working as a news writer and videographer, after obtaining his M. A.

in Journalism from New York University. Diego came from a writing and political-campaigning background before grad-school and received two B. A.

s – Economics and Politics from the University of California Santa Cruz. With a background in filmmaking and journalism, Miriam has always made films that celebrate everyday heroes whether it was a rat killer in Mumbai (The Rat Race), children choosing music over violence in an area known for gang warfare (Lyari Notes) or the unsung heroes of Indian cinema (Stuntmen of Bollywood).

Now, she turns the spotlight on the valiant survivors of child sexual violence as they emerge ‘from the shadows’. Miriam’s films have premiered at IDFA, where they were nominated for awards, won the MIPDoc Co-Production Challenge at Cannes, and was nominated for the youth jury award at Sheffield. They have had theatrical release as well as been broadcast on channels like Arte, National Geographic Channel, and Netflix.

Miriam is one of 18 mid-career filmmakers selected for the Global Media Makers Fellowship for 2020-21 by Film Independent and the US State Department. Marina is an award-winning journalist and emerging self-shooting documentary filmmaker from Moldova. Most of her journalistic work is featured by NewsMaker.

She was awarded the Senior Minority Fellowship with the UN Human Rights Office and the Sakharov Fellowship with the EU Parliament. She also worked with the UN in Chisinau and Geneva. Last year Marina won the Chevening Scholarship which allowed her to achieve her dream and study DocFilmmaking in the UK.

Coming from an ethnic minority background and b orn in the small town Bessarabca, Marina is passionate about stories that diminish divisions between “us” and “them” and create solidarity among people. Jeremy is an emerging Filipino filmmaker who earned his bachelor’s degree in Film at the University of the Philippines.

He seeks to highlight underrepresented Filipino stories through his work, tackling themes on diaspora, geopolitics, and equality. His short film, Katong Gabii, received international acclaim, including being shortlisted for the 2018 BAFTA Student Film Awards and nominated for Best International Short Film at the 2019 Melbourne Documentary Film Festival. It was most recently screened at the 2019 Visual Documentary Project in Japan.

Jeremy is an alumnus of Tribeca Film Institute and In-Docs’ If/Then 2020. Prashun is a Delhi-based independent filmmaker and journalist. He has produced and co-directed long form documentaries and features for Al Jazeera, France 24, Channel News Asia, DW and ABC among others.

A graduate of Delhi University, he has also contributed to pieces for The Telegraph (Calcutta), The Indian Express, USA Today, Le Monde and Los Angeles Times. His work deals with themes of human rights, personal journeys, culture and politics. Eoin is an Irish-Scottish filmmaker and freelance journalist based in Mexico City.

His first documentary, ‘Altsasu’, premiered at the Edinburgh International Film Festival and he has worked for the Guardian, VICE, Al Jazeera, the Irish Times, the New Internationalist, the Herald, Middle East Eye, the Electronic Intifada, the Ferret and others. His work usually focuses on individuals and communities resisting injustices, particularly state violence. Eoin has worked in Mexico, Palestine, Jordan, Ireland and the UK.

Jessi is a Producer/Director with an MA in Documentary Journalism. Her graduation documentary – about the exploitation of Egyptian fixers by global news organisations during the revolution – was shortlisted for a One World Media Award.

Part of the 2019 cohort for the International Federation of the Red Cross’ Production in Humanitarian Emergencies programme, she has produced and directed complex global shoots including at a sexual violence clinic in Bangladesh’s poorest slum, with Maasai tribes in Kenya’s savannas, and with ex-detainee asylum seekers in the UK.

Most recently she was commissioned to make the 21st film for the Uncertain Kingdom – now released under the name ‘The Forgotten C’. She has several non-fiction projects in development that are all related to the climate crisis. Joan Njeri has 6 years of experience in the media production and communication field.

She is a Producer, Production Manager, and Co-founder of Neolight Productions Limited, a company that offers media production services to its clients by equipping them with products that will move their vision forward and connect them with their audiences. She is a stickler for logistics and planning.

Joan believes in the use of media to tell Africa’s transformative stories by showing how we are changing our community’s narratives through social enterprises and businesses leading to positive social impact. Born and raised in Brazil, Camila is based in Los Angeles, CA. Driven by her passion for storytelling, Camila is currently dedicating herself to projects like Heart of The Hinterlands, a short documentary shot in Brazil.

Some of her recent projects include a 4-part series for NPR’s From The Top and various projects for the Los Angeles Philharmonic. Her branded work includes pieces for major clients like Starbucks and Red Bull. Camila has been a part of prestigious filmmaking programs such as Film Independent’s Project: Involve, Tribeca Film Institute’s All Access, and Women In Film’s Mentoring Program.

Zara Meerza is an Indian-British filmmaker, journalist, and screenwriter based between London and New York. Previously she worked on projects for HBO, Vice, the BBC, BFI, Sky Arts, Arts Council UK, and Warp Films across feature films, festivals and TV.

She has been chosen by the BFI, BAFTA, All3Media, Creative Skillset, and the National Film and Television School for various talent and development initiatives for diverse and underrepresented voices in film and TV. She was a 2018 Sheffield Doc Fest Future Producer and is also a co-founder of Women on Docs LA.

She recently finished a stint on Axios on HBO, is currently a Producer at Vice News Tonight, and is directing three feature documentaries. Additionally, Zara serves on screening committees and juries for film festivals, fellowships and screenwriting competitions, including the True/False Film Festival, Camden International, Open City Doc Fest, Women in Film LA, and BAFTA.

Jesper is a Danish film editor and narrative consultant based in Copenhagen and Buenos Aires, but with the world as his workplace. His career started in fiction, but after editing his first documentary he got immediately drawn into non-fiction: “I got fascinated by the process of ‘editing without a script’.

It allowed me as the editor to fully engage in the role as the storyteller, and to take on the challenge of transforming a narrative often based on a high level of information into a multilayered, purely emotional narrative, that I knew so well from fiction. ” Today his focus is entirely on nonfiction and he has edited way over 100 creative documentaries.

Many of them have been selected by festivals like IDFA, Sundance, Berlinale, HotDocs and CPH:dox and have received numerous awards including an international Emmy Award. Jesper also works worldwide as a narrative consultant and story editor, and is a regular tutor at rough cut and pitching workshops for fx. , IDF Academy, EDN and IDF.

Sifiso is an award winning documentary filmmaker and archive researcher. Khanyile started his career working as writer and content producer on talk and magazine shows. Khanyile also worked as a local producer on numerous foreign productions, and produced for ABC News (America) for 4 years between 2012 and 2015.

Khanyile’s feature debut ‘Uprize! ’ has been in 20 international film festivals and has won Best Documentary. His short documentary on tennis player Arthur Ashe won Best Documentary at the 14th edition of Dieciminuti Film Festival in Italy.

He recently won Best Director at Jozi Film Festival for his latest documentary ‘A New Country’. As an archive researcher, Khanyile has worked on several international film and television projects. He is a founding member of the Association for Transformation in Film and Television (ATFT) an organisation that aimed to empower, develop and inspire emerging filmmakers from disadvantaged communities.

Khanyile is a judge for the South African Film and Television Awards (SAFTA) and has served as jury member for the International Emmys. Karim is a London based filmmaker. He has produced documentary and current affairs films in close to 40 countries, from Pyongyang to Timbuktu.

A versatile filmmaker, Karim’s work ranges from self-shot observational documentaries to undercover investigations. He regularly works for the BBC, Channel 4, Al Jazeera English and PBS Frontline. Karim was awarded a Foreign Press Award in 2016 and has sat on the jury for the Rory Peck and Royal Television Awards.

Eldar is a fresh graduate of Audiovisual Media BA program of Baltic Film and Media School, Estonia. He has made several short films and documentaries during his studies. He was involved in the creative field starting at a young age, working as a digital artist before discovering his passion for documentary films.

Eldar is a part of the volunteer-based art project «Giant Steps», with the goal to shed light on the national cultures of the world. Eldar takes interest in exploring the socially underrepresented groups, subcultures and the deep nature of identity. Thaakirah obtained her BA in film production from the University of Cape Town (UCT) in 2013.

During this time, two of the student films that she produced screened at major South African film festivals – including The Durban International Film Festival. The following year, she graduated with an Honours degree in the first class. After leaving university, she worked first as a production assistant then as a production coordinator specialising in feature films and still shoots.

She has freelanced for numerous local service production companies and has worked on projects for the BBC, Netflix, and 20th Century Fox, to name a few. In 2021, she completed her master’s degree in Documentary Arts. A self-proclaimed cinephile, she continues to work in the film service industry while pursuing her passion for documentary filmmaking.

Prasuna is a documentary filmmaker from Kathmandu. She works as a DocLab Coordinator at KIMFF. She is also one of the Mentors for the Camera Sika project run by British Council Nepal.

Her recent documentary ‘Dolpa Diary’ (2019) was screened in many festivals in and outside of Nepal. The documentary was awarded the Best Adventure Film at KIMFF 2018 and Best Woman Filmmaker in Human Rights International Film Festival (HRIFF) 2019. Prasuna’s work broadly concerns collective memory and an in-depth account of personal experiences.

Currently, she is working on a documentary which is an exploration of intergenerational ideologies of three women. Madeline is a writer, artist and filmmaker based in Buenos Aires and New York. She graduated from Barnard College, Columbia University with honors theses in Gender & Sexuality studies and Psychology.

As a recent Fulbright scholar, she directed her first, self-shot documentary “A Meeting Point,” which debuted at festivals across Latin America and the US. She has previously published award-winning work as a social science researcher and now uses film to explore questions about personal and social change, resistance, truth and identity. Instagram | Madelinefinkel.

com Myriam is a Franco-British journalist, broadcaster and filmmaker from London. She has an academic background including a PhD from Oxford on islamic political movements and is a Research Associate at the SOAS Centre of Islamic studies. Instagram | Twitter | myriamfrancois.

com Sheida is a British-Turkish documentary filmmaker and musician based in London. She conducted research on women and migration during her BSc Social Sciences studies at UCL. This led to her MA in Documentary Film at LCC and position as production coordinator at award-winning charity Medical Aid Films, where she supports the production of health films for vulnerable women and children in countries such as Zambia, Thailand, and India.

Driven by her passion for ethnographic storytelling, her most recent work focuses on documenting women in agriculture and their rights to land ownership. Through her experience of scoring for film, she often uses music as a tool to build narratives. Instagram | Twitter | Vimeo Kagiso is an alumnus of the prestigious Big Fish School of Digital Filmmaking and the renowned Nemisa.

Kagiso took his passion for both the art of filmmaking and the business sense necessary for a thriving brand and launched Canvus Productions. Canvus Productions prioritizes projects that are about promoting engaging and thought provoking conversations about various topics that influence who we are as individuals and as a society.

Recently Kagiso directed and produced an SABC licensed documentary ‘Botshelo: Born In a Pandemic’ which is currently in post-production. His follow up production is ‘Unsung Heroines: Emelda Masango’, a 24 minute documentary in development. Instagram | Twitter | canvusproductions.

com Chona is a documentary filmmaker interested in compelling ways of portraying the human experience, particularly those that touch on social inequality and cultural identity. She was a recipient of the Monbukagakusho Scholarship Award and finished her studies in Japanese language and Photography at Tokyo Visual Arts College.

Her debut film IN SANTA ANA, about the only public institution for people with intellectual disabilities in the Philippines, won Best Film at the Sorok Short Film Festival and was nominated for Best International Short Film at the Melbourne Documentary Film Festival. Her previous projects have been selected for development at Docs by the Sea and at Dok Leipzig’s Short n’ Sweet. Lydia is a filmmaker based in Nairobi, Kenya.

Her latest works include Sungura (rabbit), a short fictional film revolving around sexuality, disability and inclusiveness. The film was a finalist at the Interfilm International Short Film Festival’s Script Pitch Competition in Berlin.

Her documentary, Utapata Mwingine (You Will Get Another One) was released in 2020 and has so far been selected to various festivals including Global Voices UN Women Film Festival; and has been nominated for prizes at two other festivals. Her other fictional short film Millet won the Kenyan scriptwriting competition, Shorts, Shots & Shots in 2018.

In addition, Lydia is one of the writer/creators of Country Queen, a Kenyan/German co-produced TV series which was recently optioned by Netflix. Before becoming a filmmaker, Lydia was a journalist. She was awarded the Young Journalist of the Year Award in the print category by the Media Council of Kenya in 2014 and the Gender Reporting Award the following year.

Instagram | Twitter | filmandlaundry. com Ahmed is an Egyptian film writer and director. He recently graduated from Central Film School in London with an MA in Directing Fiction through Chevening Scholarship.

He has over 7 years experience filmmaking, working in different formats including short fiction, commercials, music videos, digital content and documentaries in Egypt, Jordan, Lebanon and the UK. He’s passionate about increasing representation in the media and supporting narratives that focus on understanding human nature, removing cultural barriers and finding empathy.

Achiro hails from Gulu, in Northern Uganda and she is an award winning writer, playwright and filmmaker. She has won numerous awards for her ‘Coffee shop’ TV series as creator and writer and ‘Yat Madit’ as head writer; and her short films; ‘The Surrogate’, ‘The Mineral Basket’, ‘Maraya Ni’.

She is presently working on a documentary ‘Prison Talk’ in development as well as two feature narrative scripts – ‘The General’s Amnesty’ and ‘The Surrogate’. Telling stories is her life. Instagram | Twitter | achiropolwoch.

com Nirupama is a filmmaker based in India. With special interests in psychology and philosophy, she aims to bring to light the rich layers in human stories with honesty and simplicity. She studied at the MET Film School in Ealing Studio’s, London and soon after made her first feature documentary ‘Their Last Weapon’ about hereditary folk musicians in Western Rajasthan.

It was selected to be part of the 10th Jeevika Livelihood Documentary Festival, New Delhi and the Mumbai Women’s International Film Festival and the prestigious Rajasthan International Folk Festival. She has worked as a freelance writer, director and editor with various production companies, media and news agencies. Andrea is an independent documentary filmmaker.

She attended USC School of Cinematic Arts for MFA in Film and Television and was awarded the prestigious Harold Lloyd Memorial Fund Scholarship and Irvin Keshner Fund for Documentary Filmmaking. Her films have been presented at Sheffield Meet/Market, Edinburgh Pitch, DMZ Docs Industry, and Docs By The Sea. She is currently a fellow of Scottish Documentary Institute’s Connecting Stories 2021.

Her films focus on character-driven narratives especially on underrepresented communities. She is also working on films around Chinese-Indonesians, a topic still taboo and often erased in the history of Indonesia. Lucia is a Spanish journalist and documentary filmmaker based in London.

She is passionate about using film as a means for changemaking and peacebuilding, and she embeds herself in the lives of her subjects to tell compelling stories of global importance through a personal lens. Lucia is a Staff Writer at The Calvert Journal, an award-winning magazine for culture in Eastern Europe and Central Asia, and a co-organiser of The Calvert Journal Film Festival.

Lucia holds an MFA in documentary filmmaking, and her latest project brought her to Armenia to tell the stories of those displaced by the 2020 Nagorno-Karabakh War. Andrew is a senior commissioning producer at Al Jazeera English. He has experience commissioning, producing and editing films from all over the globe, for digital and for broadcast.

He currently commissions films for Witness, Al Jazeera English’s broadcast documentary strand; “An inspiring documentary series that brings world issues into focus through compelling human stories. ” Barbara is a commissioning editor in the Digital Department of ARTE France. She oversees programs such as web series (non-fiction/fiction), VR/AR/XR experiences or narrative video games.

Some recent coproductions include VR productions “-22. 7°C” and upcoming “Missing Pictures”, the AR experience “Fortune”, documentary series “Fail in Love” and “The Internet of Everything”. Adam is the Executive Producer on Our World, the BBC international current affairs documentary strand which runs on BBC World News, the BBC News Channel and BBC iPlayer.

He is looking for engaging films about the way the world